Car Passenger: Hey... you wanna see something really scary?
Mrs. Weinstein: Birdie with the yellow bill hopped upon my window sill, cocked his shining eye and said 'ain't you shamed you sleepy head?'.
Mr. Bloom: I found out, a long, long time ago, that I wanted to be my own true age and try and keep a young mind.
Mrs. Weinstein: Remember this one, Mrs. Dempsey? Not last night but the night before, 24 robbers came knocking at my door, as I ran out, they ran in and this is what they said to me.
Mr. Bloom: The day we stop playing is the day we start getting old.
Narrator: You unlock this door with the key of imagination. Beyond it is another dimension: a dimension of sound, a dimension of sight, a dimension of mind. You're moving into a land of both shadow and substance, of things and ideas. You've just crossed over into... the Twilight Zone.
Answer: Due to production logistics, movies are rarely filmed in a linear timeline. Storyboards visually map out the entire plot to provide the director continuity while filming different scenes, in various order, and often simultaneously with second-unit directors. As to the movie, Morrow's segment was originally supposed to end with the Vietnam scene. After Morrow rescued the two children, thus redeeming his character, he was to be returned to his own timeline. However, after the fatal accident and with the filming incomplete, the scenes were reordered so that the segment now ended with Morrow being sent to a Nazi concentration camp.
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