Continuity mistake: In 1955, when Marty drives the DeLorean to the 'start here' line that Doc painted on the street, the line and large white lettering are faded and filthy, but when Marty gets out of the car to insert the hook pole, the line and lettering are bright and immaculate. When he finally starts the DeLorean they're back to faded and filthy.
01:36:30 - 01:38:55Super Grover
Continuity mistake: When Marty is being chased by the Libyans, a few times it cuts away to show the instrumentation in the car. The first time the odometer reads 33064.2 and the trip counter says 88.8; the second time it's goes back a little to 33061.8 and 86.4. A few seconds later we see it as he turns the corner, and it goes down again from 33,061.8 to 32,994.4, the trip counter has gone from 86.4 to 19. In fact it's a completely different set of instrumentation - the bottom of the needle's angled in some shots and flat in others.
Trivia: Eric Stoltz was the original Marty. After filming quite a few scenes they realised he was being a bit too dramatic for the humor desired, so they cast Michael J Fox (who they couldn't originally get because he was busy with the TV show Family Ties). But filming, tiring for Fox, was worked out by filming on weekends and nights around his TV schedule and using his double at other times.
Continuity mistake: When Marty is writing the letter to Doc before he goes into the future, the word "disaster" is the only word in the last line. Yet when Doc shows Marty the letter when it has been all taped up, "terrible disaster" is the last line. Also, the handwritring in each letter is different (i.e. Marty's signature). They are two different letters.
Continuity mistake: When Marty is standing over his father's bed in 1955 persuading him to date Lorraine, there is a hair-dryer in Marty's belt that seems to disappear between different frames (note the hair dryer's cord leading to Marty's right hand, as he holds it behind his back). Really obvious. [This scene was originally longer, including a part where Marty removed the hair dryer from his belt. Still a mistake, but there's the explanation.]
Continuity mistake: When Marty's coming home at the beginning of the film, he's watching the discussion between his father and Biff who complains about the wrecked car and his reports. In the two shots which show Marty, there's a glass full of candies near to him. When Biff steps to the glass and lifts the lid, half of the candies are gone.
Continuity mistake: When Marty is in 1955, he is in shock and walking on the pavement when a car comes by. In the first shot when it comes towards him it has two speakers, on the second shot when it's moving away, it only has one. In the second shot of the car with only one speaker, the A-frame sign is also turned the other way.
Trivia: In the very beginning of the movie, there's a cute little gimmick. In the first scene when Marty arrives at Doc's place and all the clocks are being shown, they show one particular clock (amongst hundreds), but this particular clock has an hour hand and a minute hand and there is a man hanging off one of the hands - foreshadowing Doc's perilous scene hanging from the clock tower much later in the movie. The man isn't actually Doc, but the silent movie star Harold Lloyd, but still a deliberate inclusion, and worth a look.
Continuity mistake: When Marty is standing over his father's bed in 1955, Marty puts the headphones on George and then puts the tape in the cassette player. If you notice the hairdryer is on the left side of the belt and is touching his left arm, but when they cut to Marty holding the tape player out in front of him the hairdryer is on the right side.
01:02:10StopNGo & Girls
Trivia: The amplifier that Michael J Fox blows up at the beginning is labeled as being a CRM-114. This is a reference to Dr. Strangelove, in which the B-52 crews receive their orders over a CRM-114. It was also the serial number of the Jupiter explorer in 2001: A Space Odyssey (1968) also directed by Stanley Kubrick.
Continuity mistake: When George goes into the cafe to tell Lorraine he is her density/destiny, the people sitting at the bar keep changing with different shots. Best example is just after George refers to his "density" - in the background there's a brunette in a blue jumper at the bar. A blonde woman and a short-haired guy then sit on her left, but then disappear in the shot of Marty sitting at the bar - on the brunette's left there's now another brunette in a pink jumper with a different guy. The brunette's got shorter hair too. In the very next shot the blonde's back with no sign of Marty.
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