Back to the Future

Continuity mistake: When Biff and his goon friends are in Biff's car, as they chase Marty on his borrowed 'skateboard', the car's rearview mirror repeatedly disappears and reappears.

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Super Grover

Continuity mistake: When Marty chases after Biff on the borrowed 'skateboard', Marty is wearing a dark grey belt and a red/blue print shirt under his red/beige jacket. However, when Marty is hanging on to the front of Biff's car as they turn a corner (and in another shot), Marty (stunt double) is wearing a light brown belt and solid tan shirt.

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Super Grover

Visible crew/equipment: When the clock tower ledge breaks, Doc Brown slips and loses his grip on the electric cable. In the next shot the stunt wire pulling the thick electric cable towards Doc's pants is visible.

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Super Grover

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Trivia: The farm where Marty arrives in 1955 belongs to a man called Peabody, and he calls his son Sherman; both names are a tribute to "Sherman and Mr. Peabody", two cartoon time travellers.

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Trivia: Eric Stoltz was the original Marty. After filming quite a few scenes they realised he was being a bit too dramatic for the humor desired, so they cast Michael J Fox (who they couldn't originally get because he was busy with the TV show Family Ties). But filming, tiring for Fox, was worked out by filming on weekends and nights around his TV schedule and using his double at other times.

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Stefanie
Back to the Future mistake picture

Trivia: In the battle of the bands scene, when Marty introduces The Pinheads, Huey Lewis, who provided "The Power of Love" for the film's soundtrack, plays the second judge from the left, and is the one who eventually says, "You're just too darn loud."

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George McFly: Lou. Give me a milk... Chocolate.

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Marty McFly: Calvin? Why do you keep calling me Calvin?
Lorraine Baines: Well, that is your name, isn't it? Calvin Klein? It's written all over your underwear.

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Dr. Emmett Brown: Don't worry. As long as you hit that wire with the connecting hook at precisely 88mph the instant the lightning strikes the tower... Everything will be fine.

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Question: What does the saying "Why don't you make like a tree, and get out of here", mean?

Chosen answer: It's a way of saying "scram" or "get lost." But Biff is so dim, he doesn't realize he's saying it wrong; the expression is "make like a tree and leaf", with the joke being that "leaf" is meant to sound like "leave."

Cubs Fan

Question: Can you please explain to me how Doc got into the DeLorean from within the truck? Clearly the internal width of the truck is not capable of handling gull-wing doors whilst parked inside. He would have had to push the car out, get in, drive it back in, then remotely close and open the hydraulic door/ramp on the back of the truck. This is one of the things which really sticks out in the film for me.

Chosen answer: The side clearance of the DeLorean DMC-12's doors is actually only 11 inches (less than a regular side-hinge car door). The truck would be around 7.5 feet wide inside, the DeLorean is just over 6 feet 1 inch wide so if it was driven in 4 inches to the right it would be possible to open the driver's door.

Sierra1

Question: Right when Marty gets back to Doc before he goes back to 1985, he's praising his dad's actions of the night. One line that's bothered me ever since I can remember is "My dad laid out Biff. He's never stood up to Biff in his life." And then the Doc pauses for a second and gets a strange look on his face and says, "Never?" To that, Marty says, "No, why?" and the Doc shrugs it off saying, "Nevermind." What's Doc thinking? The best I can come up with is that he's wondering what effects it'll have on the future, but that's a rough guess. If anyone out there knows, I'd be happy to hear it.

DenizenZERO

Chosen answer: I think that is *exactly* what he is thinking. He realizes that by standing up to Biff, George may have irrevocably changed his personal future, and therefore affected Marty's future as well. This is exactly the sort of thing Doc was so eager to prevent by refusing to hear any information about the future.

Phil C.

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