Visible crew/equipment: During the final fight scene where Jackie takes on the Amazonian women, there are several shots where dressed up stuntmen double for the women.
Visible crew/equipment: When Ashley is running down the corridors before escaping back into her medical room, you can see the dolly that The Engineer chasing her is being pushed on. (01:04:50)
Visible crew/equipment: Near the beginning of the movie there is a brief scene around the empty house. While the camera is in the kitchen you can see a reflection of one of the set guys moving in the fridge handle.
Visible crew/equipment: When the ambassador and the photographer are in the cemetery getting attacked by the dogs there are men standing behind a tree. I'm assuming they're the trainers - they are located when the photographer is trying to hop the fence. Look in the back right hand corner - there are about two or three men standing there. (01:21:15)
Visible crew/equipment: When Anderton visits his wife after the auto plant scene, the camera pans around the car and the camera operator is clearly seen in the reflection on the bumper. (01:57:05)
Visible crew/equipment: In the last scene where the main character escapes, he jumps into the bay and is supported by a sack which he is carrying. Actually you can clearly see that he is supported from underneath by a diver.
Visible crew/equipment: At the start of the film, just after the war exercise, when the Sergeant begins yelling at the recruits you can see the outline of his microphone under his T-Shirt. (It's not his dog tags because you can see the shape and dog tags are not shaped like that.)
Visible crew/equipment: When the group is flying into the island, there's a shot of the plane flying in front of the cloud, and there's the obvious shadow of the helicopter that filmed that shot. (00:15:25)
Visible crew/equipment: When Tom and Dylan are hanging from the chandelier, there is a shot of the ceiling showing the chandelier coming loose. Then when it cuts back to Tom hanging from the chandelier, in the background behind him is a crewmember holding a boom mic. (00:24:15)
Visible crew/equipment: On Skull Island, when Carl says, "No one has lived here for hundreds of years," the distinctive reflection of the scrim/reflector screen is visible in the lens of Preston's glasses, as he looks down; there are other moments in the film where this happens with characters' eyeglasses.
Visible crew/equipment: In the first scene of the Christmas party when Takagi steps out of one the offices and greets a couple of his guests, the camera pans left to show the orchestra and other guests. A huge shadow of the camera and its operator is being shown on the back wall, then the stage light gets moved to light a different area and the shadow is gone. (00:02:20)
Visible crew/equipment: In the scene when Kermit confronts Doc Hopper he comes walking out of the bar. If you look at the top of Kermit's legs when he walks out, two pair of hands can be seen moving the legs.
Visible crew/equipment: Bond follows the girl through the streets of Venice. The camera follows him with a track shot. Bond turns left, going into some kind of alley, and the dolly keeps going. The dolly, camera, and crew are reflected in a window for a second. (02:02:10)
Visible crew/equipment: When Monica is in bed with her boyfriend and they get up to dance, the whole film crew is mirrored on the glass of the window.
Visible crew/equipment: When George enters Ken's apartment the first time and Wanda approaches him, if you look in the mirror you should be able to see a crouching crew member wearing a blue shirt. (00:03:15)
Visible crew/equipment: Near the beginning of the movie, the old priest is in Northern Iraq and you can see the shadow of a microphone on his hat.
Visible crew/equipment: While passing the frat-house bus, in the close-up, as the two girls are about to flash, the reflections of the camera and two crew members moving on the crew's vehicle are visible on the glass window. (00:14:15)
Visible crew/equipment: In the scene after Patrick Bateman's second encounter with the detective in his office, we see Bateman having sex at Courtney's apartment. After he rolls off her, Bateman approaches the large, stand-up mirror in the bedroom. In the upper right hand corner of the mirror, a boom microphone can clearly be seen moving around to pick up Christian Bale's lines. The next time we get the same long shot, the microphone is gone. (00:52:45)
Visible crew/equipment: In the scene where Napoleon watches the farmer shoot the cow, the film crew and camera are visible in the reflection of the glass door of the passing school bus. (00:16:20)
Visible crew/equipment: In the extra footage after the credits, the reflection of the crew is visible in the picture frames around the apartment.