Other mistake: In Ganon's lair after he is captured, King Harkinian is standing by two Tin Suits that are guarding him. They have an X shaped red strap thing across their chest. The one on the right has his not completely drawn. The strap that meets towards the middle on the back layer towards his upper right has one of the lines not fully connecting. As the Tin Suit turns a little, it suddenly connects to be complete, but then he turns back and the line is broken again. (00:06:15)
The Legend of Zelda (1989)
1 other mistake in Sing for the Unicorn
Starring: Tabitha St. Germain, Cynthia Preston, Jonathan Potts, Len Carlson
Continuity mistake: Right in the beginning of the title sequence, Zelda and Link walk into a room and see the Triforce of Wisdom. Zelda even says it is the Triforce of Wisdom. It is green. But throughout the entire show in the episodes, the Triforce of Wisdom is shown as blue. (00:00:05)
The Ringer - S1-E1
Question: Once Zelda and Link confront Ganon on the road, he summons more skeletons up and they surround Link and Zelda. 7 Skeletons against Link and Zelda. So what's Link's plan of action? He takes off his belt and wraps it around himself and Zelda, strapping them together back to back to fight the 7 skeletons. This to me seems like it would just hinder their mobility. So my question is what is the really point of Link strapping himself to Zelda like that while surrounded? does it actually make sense to do that?
Join the mailing list
Separate from membership, this is to get updates about mistakes in recent releases. Addresses are not passed on to any third party, and are used solely for direct communication from this site. You can unsubscribe at any time.
Check out the mistake & trivia books, on Kindle and in paperback.
Chosen answer: It'll be to ensure that they're always facing directly away from each other, 12 o'clock and 6 o'clock, meaning between the two of them they've pretty much got 360 degree coverage. Otherwise there's a chance they might end up at say 12 o'clock and 3 o'clock, leaving themselves exposed from another direction.
Jon Sandys ★