The Andy Griffith Show

The Andy Griffith Show (1960)

9 corrected entries in season 3

(64 votes)

Correction: Old dynamite, as mentioned in the episode, can be highly unstable and unpredictable.

Senex

Correction: Those shadows are not from a microphone and boom pole. The shadows are from the overhang's open eave with its long rafter tail. Watch the opening scene (00:00:30) showing the back of the house, with its overhang above the back door and laundry line beside the house. Those shadows are also visible in this long shot.

Super Grover

The Big House - S3-E32

Corrected entry: When Andy and Barney first go out the back door of the jail house, there is a field and a grain & feed company outside the door. You can just barely see the grain & feed store. The next time they go out the back door, you can see all the grain store, however no field at all.

Pam-I-am

Correction: The second scene is from a different angle. It blocks out the field.

Correction: It was never implied that he was reciting from memory. He had to read it so Andy could come in and join in.

jairodrigue

Correction: People mispronounce words and names all the time.

jairodrigue

The Big House - S3-E32

Corrected entry: When Andy arrives back to the courthouse, just prior to Barney showing Andy that Gomer has been chosen as a second deputy, Andy gets out of the car and walks briskly to the courthouse. Right up until the time Andy reaches the courthouse his pant legs are tucked into his boots. The next shot is an inside the courthouse shot showing Andy walking in. His pant legs are nice and pressed and not tucked in.

Correction: Andy never "tucks" his pant legs into his boots. Due to the style of the boots - his pant legs occasionally get caught in the boot. However, just due to walking or stretching the leg - the pant leg becomes un-caught easily. So, it could looked tucked in one instant and untucked the next.

Zwn Annwn

Barney's First Car - S3-E27

Corrected entry: When the thing in the steering wheel comes out at Barney, during that scene look out the back window of the car. The background moves, yet Barney's hands on the wheel don't move.

Correction: I'm not quite sure how this is a mistake. The plot calls for the car to be moving - which, by looking at the background, it is. Barney's hands are normal for a person driving a car. He is "driving" straight - there is no real reason his hands can't remain fairly still.

Zwn Annwn

Correction: An assumed look at the camera should not be considered a mistake - Andy could just have been looking in that direction.

Zwn Annwn

Correction: When Opie enters the kitchen in the interior shot, Opie's belt holster and toy gun are not gone, they're still on him at his right side. Note that this interior shot continues uninterrupted, as Opie sits down and puts his hat on the back of his chair, then as Barney walks in and takes a seat at the table. Please rewatch (00:00:45).

Super Grover

The Andy Griffith Show mistake picture

The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.

Super Grover

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Convicts-at-Large - S3-E11

Question: Beginning with the "Convicts at Large" episode in season 3, full width window boxes appear at the bottom of both front windows on the inside of the Sheriff's Office. Prior to this episode, they did not exist. Window boxes are often used to display decorative plants but I don't see any plants. And if they were supposed to partially block the background, the blinds were long enough to accomplish that. I find it hard to believe that the producers would spend additional money (for material and labor) for something that seems to serve no purpose. So why were they added?

Answer: As noted in the previous answers, in real life, things like this provided wind and/or rain deflection, and also maintained a bit of privacy when blinds were raised somewhat. The interior courthouse set was located in the studio, so the "outside" Main Street didn't exist. I believe these things were added to the courthouse windows for practicality, to avoid some crew movement being visible on the opposite side of those windows. These are not "window boxes" to hold anything, as they're actually bottomless; we can see the Venetian blind's long pull cords under them. They're made of plywood and simple to build, so the "material and labor" was inexpensive. Similar variations made of different materials are in other movies/shows. In 1957's "12 Angry Men," textured chicken wire glass panels are in the jury room windows, and in "Jesse Stone: Night Passage" another type is in Jesse's office windows.

Super Grover

Answer: Those "boxes" are valences that used to be very common, before air conditioning. They allow for windows to be open during rain storms. They permit air circulation, without letting the rain in.

Answer: I suspect these were common, as to block the wind from blowing the blinds and papers on the desk.

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