Continuity mistake: When Martians Lucy and Ethel are sneaking up behind everyone on the Empire State Building, in the closeup Ethel has a toy gun tucked into her belt just as she climbs over the fence, but in the next wideshot her toy gun is already lying on the observation deck floor. (00:17:25)
Visible crew/equipment: While Lucy starts taking notes about Ethel, Fred walks in and soon asks, "What's going on this booby hatch," then just as Lucy rushes back to the desk, we can see the end of the set wall and there's some kind of partition in front of the kitchen set. (00:02:35)
Visible crew/equipment: When Lucy tells Ricky, Fred, and Ethel that she made a carbon copy of the novel they just burned in the fireplace, the actors' tape marks are visible on the carpet when Lucy says, "Pardon me," in the wideshot. Then later, when Ricky, Fred, and Ethel walk in while Lucy's typing up her sequel, they stand at tape marks again. (00:11:05)
Character mistake: When Fred, Ethel, and Ricky confront Lucy on what she wrote about them in her novel Ricky states "I'm so hammy I should go lie down between two slices of rye bread." This is incorrect. Lucy wrote "He turned into such a big ham you could stuff him with cloves."
Other mistake: When Ricky and Fred hold up the newspapers with the big holes in the back page, we see the front page with the headline "Bond Issue Defeated", and it should look familiar since it's the same front page that was used in the episode "Ricky's Old Girlfriend", with the article about Carlotta Romero. (00:18:15)
Character mistake: After Ethel chooses the ladies who'll play instruments for their own orchestra, Fred enters the Ricardo apartment with muffs over his ears as off-key plucky piano is heard in the background, indicating Ethel is playing very badly, when in all prior episodes she played fluently for any of their show warm-up numbers.
Visible crew/equipment: During the scenes at the small diner when it's open for business, such as when Marco walks in, there are two small chalk T-marks on the floor in the area near the door. The T-marks are also visible when Ethel and Fred walk back inside. (00:12:35)
Visible crew/equipment: When Lucy and Bert (Roberta) walk into the back of the salon, there are a few chalk marks on the floor to the right of the styling chair, and a few moments later that's where both Doug and Bert stand when Doug doesn't recognizes Lucy at first. (00:03:40)
Visible crew/equipment: During the scenes in the living room after wig-wearing Lucy comes home in a huff about Ricky, an actor's mark is visible on the carpet at the fireplace, and there's a T-mark on the carpet between the couch and desk.
Tennessee Ernie Visits - S3-E27
Continuity mistake: When Fred and Ethel leave to get the rollaway bed, note the two L-shape actor's marks on the carpet where Ernie had placed his small suitcase and then sat, earlier in the scene. (00:08:50)
Revealing mistake: The scenery 'lines' are quite visible on the backdrop as Ricky practices his swing, with Fred indicating this was shot in-studio.
Visible crew/equipment: After Lucy and Mr. Beecher sign the lease, just as they all start heading toward the door, the taped T-mark is visible at the bottom of the screen at the edge of the carpet (presumably for the second camera dolly offscreen at the left). Then as Mrs. Hammond walks out, a bit of overhead set equipment can be seen at the top right side of the screen. (00:12:45)
Visible crew/equipment: While Ethel and Lucy are trying to frighten Mr. Beecher so he'll leave the apartment, when Lucy blows up the balloon the reflections of all the overhead set lights are visible on the balloon. (00:23:00)
Visible crew/equipment: After Lucy phones Ricky and fibs about a man being on the fire escape, when Ethel and Fred rush in looking for Lucy, two actors' tape marks are visible on the floor where Fred and Ethel stand, beside the couch. (00:06:20)
Plot hole: How does Lucy get back up to the apartment bound and gagged? It would seem impossible to hop up all those steps, possibly take several hours if not all night.
Audio problem: About 6 minutes in, a friend of Fred comes to the door and Ricky answers it. The man says Mr. Cardo instead of Mr. Ricardo, but Ricky says yes anyway.
Visible crew/equipment: At the very start of the opening shot, when Lucy is at the stove, there's a visible crew member at the right side of the screen.
Other mistake: When Lucy responds to the money matter about her hair care, she states, "I can be a thin redhead or a fat brunette," when her real-life natural hair colour was blonde (later dyed to enhance her film career).
Suggested correction: Lucille Ball was naturally blonde. Lucy Ricardo was a brunette. This is, at best, trivia.
Continuity mistake: After Fred secures the chain lock to the front door, with the chain mounted onto the frame of the door, Fred then slides the chain into the door's slide-catch to show Lucy the "burglarproof chain." When Ethel opens the door the chain itself is ripped off the frame, leaving the chain (and the piece that was screwed to the frame) dangling from the slide-catch attached to the door, but in Ethel's closeup the chain is still mounted to the door's frame. (00:01:40)
Visible crew/equipment: When Ethel is about to open the door because Fred is too "busy" to do it, the shadow of moving boom equipment is visible on the wall to the right. Then after Ethel opens the door to find Lucy dressed in her starlet outfit, when Lucy walks in disappointed that she was recognized, in the next shot facing Ethel the shadow of the moving boom mic can be seen on the door. (00:10:40)
