Seinfeld

Seinfeld (1990)

6 factual errors in season 9 - chronological order

(15 votes)

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The Voice - S9-E2

Factual error: With the size of that red ball (approximately 2.5 foot diameter) and the density of oil (approximately 60 lb/ft^3), the giant ball of oil would weigh 491 pounds. This would be impossible for Kramer and Darren to lift out of the window and would definitely kill anyone it beaned.

The Dealership - S9-E11

Factual error: George asks for a nickel from Jerry for his candy bar. He then proceeds to put only 3 coins into the machine for a $0.50 candy bar. No 2 coins would require a nickel to make 50 cents.

The Bookstore - S9-E17

Factual error: When Peterman is making a toast at his party, he quotes what he says is something said by the Papa New Guineans, and he proceeds to pronounce a sentence filled with clicks (lingual-ingressive consonants). However, this is impossible, as clicks are only used in southern African languages and three east African languages. (00:03:10)

Mechanic1c

The Finale (2) - S9-E24

Factual error: At several points during the case, the prosecutor introduces witnesses by saying "The state calls." Legally, Massachusetts is a Commonwealth, not a state, and that is how it is referred to in court. (See any episode of "Ally McBeal" or "The Practice.") However, even this would be incorrect here, as the episode makes it clear that the "Good Samaritan" law is a local Latham statute, not a Massachusetts law. In this case, "The people call." would be correct.

The Hot Tub - S7-E5

Plot hole: When Elaine is searching for Jean Paul in the streets, one of her verbal flashbacks is of Jean Paul saying, "I trust Elaine, she is my friend." However, Jean Paul made this remark to Jerry, and Elaine was not there to hear it. How could she have a flashback of it?

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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