Deadly Ringer: Part 2 - S2-E16
Other mistake: As Oscar runs to the shed, the image of a cop aiming his rifle is lazily reused as a still frame from the previous shot—an obvious and clumsy editing choice. (00:26:05)
Sacha
8th Jul 2025
The Bionic Woman (1976)
8th Jul 2025
The Bionic Woman (1976)
Deadly Ringer: Part 2 - S2-E16
Continuity mistake: When Jaime crosses the muddy river, her clothes get dirty. Yet in the next shot, after crossing, they appear spotless.
3rd Jul 2025
The Bionic Woman (1976)
Continuity mistake: When Jaime commands the jailer to call Oscar, the position of her right hand changes between instant cuts.
3rd Jul 2025
The Bionic Woman (1976)
Continuity mistake: The private jet where Jaime is abducted changes while it's on the tarmac and during flight: one window versus three, and tailgate 4CL versus 7LJ.
3rd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Continuity mistake: Before Alex drops the hook, Jaime stands up. In the very next shot, from the aerial angle, she is sitting down again.
3rd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Continuity mistake: When the operator says the communications channel is still closed, there's a close-up of his fingers pressing the buttons. In the very next wider shot, however, his hand is completely still, even though we can still hear the clicking of his fingers on the keys.
3rd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Continuity mistake: When Alex tells Jaime about the snakes, she brings her hand to her mouth in shock. In the next frame, her hand is already away from her mouth and moving toward it again.
3rd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Continuity mistake: While Jaime runs toward the bomb, the road is sometimes in shadow and other times in bright sunlight.
2nd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Continuity mistake: When Jaime is talking to the computer, the position of her hands on the railing is inconsistent between shots.
2nd Jul 2025
The Bionic Woman (1976)
Doomsday Is Tomorrow: Part 2 - S2-E14
Revealing mistake: When Jaime talks to the computer as images are broadcast, the footage is sloppily pasted onto the screen - the edges don't fit properly and the text faces forward despite the screen being skewed - making it look obviously fake.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: When Jaime is watching Dr. Cooper's message, she is fidgeting with her necklace. An instant cut later, her hand is lowered.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: Jaime's ballerina shoes change to sneakers when she jumps over the fence. (00:25:56)
2nd Jul 2025
The Bionic Woman (1976)
Audio problem: Victor claims he can jam the electronic minefield using his gadget and is shown typing several keys. However, the final part he presses is just a metal side with no keys, but it still makes a clicking sound.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: When Jaime jumps the fence, she is shown standing close to it, but in the next shot, she appears to jump from several metres behind.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: In his lab, Dr. Cooper is about to faint while holding his glasses in his right hand. In the next shot, they're in his left hand.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: In one shot, Jaime's bag is resting on her knee; in the next, it's on the table.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: When Dr. Cooper sits down, he holds the folder in the middle with his left hand. In the next shot, he is holding it by the edges with both hands. (00:14:26)
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: On board Air Force One, Rudy's hands appear either crossed or uncrossed depending on the shot.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: It's daytime in Jamie's kitchen, but in Oscar's office, night has already set in.
2nd Jul 2025
The Bionic Woman (1976)
Continuity mistake: The episode opens with a factory urging workers to evacuate, seamlessly blending new footage with archival shots. The lighting shifts dramatically from scene to scene - from sunny to overcast, daylight to dusk.