Continuity mistake: The top of the driver's side window frame is clear of all the pieces of glass when he returns to the car after being chased by Dodd. Yet Leonard's car window, smashed from Dodd's bullet, has jagged large fragments still attached at the top of the frame, when he first leaves to be chased. (00:49:45 - 00:53:50)Super Grover
Deliberate mistake: When Leonard takes the photo of his newly acquired Jaguar, the car's hood is parked right up in front of the shrubbery and its shadow is in front, at the hood, seen when Teddy arrived. The actual photo of Leonard's 'new' Jaguar shows it to be nowhere near any shrubs and its large shadow is cast on its right side. (00:03:25 - 01:40:55)Super Grover
Continuity mistake: As Leonard starts to write "Dodd" on Dodd's photo, in the wide shot that photo is lying with other photos on the bed and the cap of his pen is lying on the bed as well. Yet, in the close-up as he writes, "Dodd," on the front and "Get rid of him," on the back, the cap is on his pen, he writes the 'D' differently, there are no other photos and the suit is spread out under his hands. The next two wide shots differ between themselves too. (00:47:55)Super Grover
Deliberate mistake: In room 304 Leonard takes the papers that Natalie gave him out of the paper bag, he turns the bag over and written on the bag is "For Leonard from Natalie" with a line drawn underneath the words, It is written completely differently than when it was seen earlier as the waiter at the diner gives the bag to him when he came out of the restroom. (00:11:45 - 00:12:50)Super Grover
Continuity mistake: In the first sequence in which Leonard arrives at the Discount Inn for the first time he gets out of his car, which is parked on the street, then goes down a ramp to enter the inn. In the next shot he is suddenly across the street, photographing the inn's sign. Then in the next shot he is getting out of his car, which is now parked somewhere else at the inn, looking at the photo he just took. (01:00:10)
Continuity mistake: In the first scene where Leonard is asleep and the prostitute goes to the bathroom and slams the door, Leonard is facing away from the camera, the door slams then he puts his arm on the other pillow and rolls over. When this scene is repeated a short time later Leonard is facing towards the camera when the door slams. (01:00:10 - 01:02:35)
Deliberate mistake: The reminder note that said, "City Grill Main St. today 1:00pm meet Natalie for info.," which Natalie wrote on a pharmacy bag, is seen in Leonard's hand at the Discount Inn just before he goes to meet her at the City Grill and in her bedroom when she writes and hands it to Leonard. The words on the bag are written differently, particularly the words "1:00pm meet Natalie for info." (00:26:15 - 00:30:35)Super Grover
Continuity mistake: When Leonard is getting the tattoo of the license plate on his leg in the tattoo parlor, we see a closeup of the tattoo artist writing the "n" in "license". Then it cuts to a farther shot of her writing. It buzzes for a little bit, and the sound corresponds to her just finishing the "e" on "license" when Teddy walks in and she stops. After the dialog, when the tattoo artist starts again, she has magically finished the tattoo, finishing the sentence "license plate number: SG13 71U" in the period of about 2 seconds. (01:30:15 - 01:31:00)
Continuity mistake: Leonard is several times shown looking at the back of the Ferdy's Bar coaster, with 'Come by after, Natalie' written on the back. The handwriting is noticeably different in the various shots/scenes, particularly the first two letters of 'after' which are capitals in some shots, and the middle 'a' in 'Natalie'.SmartWatcher
Leonard Shelby: I have to believe in a world outside my own mind. I have to believe that my actions still have meaning, even if I can't remember them. I have to believe that when my eyes are closed, the world's still there. Do I believe the world's still there? Is it still out there?. Yeah. We all need mirrors to remind ourselves who we are. I'm no different.
Trivia: In the scene where Lenny is on the phone describing how Sammy Jenkis ends up in a home due to the death of his wife, it shows Sammy sitting in a chair looking towards the camera. Sammy is temporarily blocked from our view by someone walking in front of him. As the person passes by, it is not Sammy that re-appears, but Lenny. To see it well, you will have to use the frame-by-frame mode. There are about 5 visible frames of Lenny in the home, and then it cuts back to him inside the motel room talking on the phone again. (01:29:55)
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