2001: A Space Odyssey

2001: A Space Odyssey (1968)

61 corrected entries

(16 votes)

Corrected entry: During the scene when the photographer is taking photographs of the scientists next to the monolith on the moon, a flying insect e.g. a fly or moth, can quite be briefly seen against the dark background of the monolith itself.

Correction: I just watched this scene twice, once in slow motion, and can see no such thing. Screenshot, please?

Corrected entry: In the scenes with the lunar shuttle and the lunar buggy, we see a swirling cloud of dust as they are touching down. The dust would only swirl around like this within an atmosphere; it would not do this on the airless moon. (00:40:00 - 00:50:40)

Correction: Similar mistakes have been posted and corrected. This is an accepted film technique, not an error. You cannot film in a vacuum, even if you could find a studio big enough to have the air pumped out.

Corrected entry: The initial scene shows a desert with Brazilian tapirs grazing in the background. Tapirs have never been recorded living in any sort of desert, either through live sightings, secondary evidence, or fossil record.

Correction: Neither have apes, leopards or zebras. This is not a desert - it is tropical grassland which has been devastated by drought.

Corrected entry: In the montage of various Earth orbiting satellites, there is a shot of a device which is clearly illuminated mainly from underneath, whereas the Earth & Moon in the background are clearly lit from above.

Correction: That's because it is lit from underneath - by reflected light from the Earth, which is only a few hundred kilometres away. The Earth has a very high albedo and would reflect a huge amount of light onto the satellite.

Corrected entry: When Heywood Floyd was talking to his daughter on the video-phone, the camera at home was moving slightly (up, down and sideways) to follow the movements of the girl. In reality, the phone camera would have been in a fixed position.

Correction: I have a webcam with a motion sensor which follows me as I move, and a studio protected by CCTV cameras similarly equipped. Bog standard technology.

Corrected entry: In the briefing room on the moon, folks are walking around normally with no apparent effects of the moon's weak gravity. Same for the group of men walking to the monolith in space suits.


Correction: This is an accepted film convention, not a mistake. Films like 'Red Planet' and 'Mission to Mars' were shot years after 2001 and had the advantage of much more advanced special effects techniques, but they didn't attempt to simulate Martian gravity. The same can be said of 'Pluto Nash', shot on a $100,000,000 budget and set on the moon but making no attempt to show the effects of lunar gravity.

Corrected entry: In the scene where Dave is replacing the AE35 unit at the antenna he is steadying himself only with his hand as he does his work. In reality every motion he made would have a equal opposite reactions so he would have been twisting in space and unable to do a basic task. He should be more firmly anchored to the antenna to be accurate.

Correction: The fact that he can manoevre towards the antenna mount while not tethered to the pod shows he has some form of steering in space, such as small reaction jets. These can be preset to overcome rotational motion of the body nowadays - Space Shuttle astronauts use them. No reason the crew of the Discovery can't be similarly equipped.

Corrected entry: When the scientists are on the moon and approaching the monolith, the lighting from the floodlights changes from shot to shot.

Correction: I have watched the scene over and over again - the lighting changes are caused by the rising sun and the changing position of the men as they walk down the ramp. The position of the floodlights is totally consistent throughout.

Corrected entry: When Floyd is going to make his call to his home, the image of the Earth or the Moon seen in the window behind him changes the way it circles from clockwise to anticlockwise.

Correction: The rotation of Earth in the windows does change direction between the telephone scene and another previous scene. But it doesn't change during the phone scene. I've checked & double-checked; it runs counter-clockwise the whole time.

Corrected entry: The stewardess, in her 360-degree stroll to the control room aboard the spherical Aries lunar shuttle, is most certainly going through the wrong door, if you think about where the control room is relative to the rest of the interior (she should have been stepping through the access on the top of the set).

Correction: We do not know that as she exits the 'hallway' where she gets the meals, that she immediately enters the cockpit. There may have been corridors, or even another elevator or stairs, to get to the cockpit.

Corrected entry: As the Pan-Am shuttle is approaching the spinning space station there as a shot of it from within the hub based dock. The star filled background is spinning as it ought to, but the shuttle, which is not yet centered on the dock, is seen swinging across the sky independent of the background. To do this the craft would be tracing a spiral through space.

Correction: We see it comes from one side, swinging across to the other as it tries to line up directly in front of the target. This is like driving a car from across three lanes of traffic to tailgate a truck - you will likely swerve a little too far and have to correct your position once or twice. In 3 dimensions, plus a 4th dimension of moving space as they orbit the moon, this becomes triply difficult to do. So yes, they'd be tracing a spiral, but take a soda can and spin it while flipping it end-over-end, and visualize how the opening tab moves through space - a 3-D spiral.

The shuttle would be tracing the spiral from the point of view of the station's docking bay, with the eccentricity of the spiral declining as it got closer until it were aligned with the docking bay. The point in the original post is not that the ship wouldn't be in a spiral from the POV of the station, it's that in order to appear flying in a straight line independent of the background from the station POV, the ship would have to be flying in an erratic corkscrew flight path that precisely matched the rotation of the backdrop of the stars. This is unlikely. The shuttle would simply need to rotate along its central axis to match the station's rotation until it docked. In the truck analogy, from the POV of the truck the swerving car would appear to be driving erratically, not in the straight line that would be analogous to the shuttle's approach.


Corrected entry: In the zero-G sequence of the shuttle approaching the moon Dr. Floyd is served a meal in a zero-G tray with straws. While Dr. Floyd sips through the straws to eat from the zero-G food tray, the food puree falls back down the straws into the tray wells (leaving them "clear") after he finishes sipping, an effect of gravity. In zero-G, the food puree should remain visible in the straw, and not fall.

Correction: Current packages designed for consuming liquids in space, have a minor vaccuum in the container and a valve to maintain it in the straw, to keep the liquid from escaping. I see no reason they wouldn't have them in that future.

Grumpy Scot

Corrected entry: How could there be dust clouds when the lunar probes land when there is such a thin atmosphere on the moon? It happens twice when Dr. Floyd is going to check out the monolith.

Correction: There isn't a thin atmosphere on the moon - there is no atmosphere. The dust is stirred up by the exhaust of the landing rockets on the shuttle. True, it doesn't behave exactly as it would on the moon, but this is an accepted film convention, not a mistake. You can't film in a vacuum.

Corrected entry: When troubleshooting the AE-35 unit in the pod bay, the unit is resting on a console, unsecured. The unit should float, since the pod bay doesn't possess artificial gravity, only the main living space does.

Correction: Magnets, velcro, Blutac, double sided sticky tape, adhesive coating on the console ... there are a hundred different methods of securing loose equipment in a microgravity environment. Think the designers of The Discovery didn't think of just one of them?

Corrected entry: Poole takes a pod out to replace AE35. We see this pod spinning off into space. Bowman takes pod 2 out to retrieve Poole. He eventually blows the door to get back inside Discovery. There is no indication that he bothers retrieving this pod: He is occupied with HAL. Bowman takes pod 3 to check out Stargate. He and the pod are sucked in. So where did pod 4 come from in the movie 2010?

Correction: Since you refer to the sequel "2010", Let me point out that in that movie they allude to the fact that Dave Bowman Also jettisoned the bodies of the three dead crew members who were in hibernation (which we never saw him do...) They go on to say that he continued on with his mission to Jupiter after he disconnected HAL's higher brain functions. So since we know all this, isn't it plausible that he retrieved the pod after taking care of HAL?

Why would he take the time to retrieve a damaged pod? There would have been no reason for him to repair the pod (assuming that he could) since he was the only remaining crewmember and had one other operational pod.

Corrected entry: In the scene where Dave is going into the room to shut down HAL, he is wearing his space suit and his sleeve becomes unattached from his glove when he is opening the door. This would be lethal, given that HAL messed up the pressure and drained the oxygen.

Correction: I got the impression he was wearing his suit just in case HAL depressurized, not because he already had. If HAL had depressurized the ship, Dave would have been dead by this point because he would not have been able to repressurize the airlock and get a spare helmet. Further, it seems unlikely that HAL would have the ability to depressurize the ship on his own, crazy or not.

Grumpy Scot

The simple fact that Dave is wearing a green helmet implies to me that he quickly grabbed the first helment to protect himself in the event that Hal depressurized the pod bay by opening one of the pod bay doors (something certainly within is control) as Dave goes through the bay to get to the memory logic section. I say this is a true mistake with his glove.

Corrected entry: There is a scene where one of the astronauts is drinking out of a juice box in space (zero gravity). When he is done drinking from the straw the juice falls back down the straw as if there was gravity.

Correction: The juice was sucked up due to the difference in air pressure caused by sucking on the straw. As such, when he stops sucking, the juice is sucked back into the carton.

Corrected entry: When the ship's computer and one of the crew members are playing chess, the computer stated a mate in 2, which is not true. It's mate in 3.

Correction: This actually is an intentional mistake. This error is showing that HAL is starting to fail. If you notice that the whole thing is so complicated that it's hard for the crew member to figure it out so he believes it to be a victory for HAL.

Corrected entry: The spacecraft Discovery has a rotating centrifuge-room that the astronauts use to avoid the detrimental effects of prolonged weightlessness. We see the rotation when Dave first enters the room and again later when he and Frank re-enter the room after inspecting the AE-35 Unit. But by Newton's laws the torque on the centrifuge must be countered by an equal anti-torque, so the surrounding body of the ship ought to be counter-rotating to conserve angular momentum.

Correction: The centrifuge began rotating in earth orbit. The counter-rotation would have been corrected by whatever structure holds the ship in place while being built. If this didn't happen, then the bad momentum would be stopped by discovery's roll-mode attitude thrusters.


Corrected entry: While Dave Bowman & Frank Poole are in the pod bay they lean against the workbench much as anyone would on Earth, yet the pod bay is a weightless environment.

Correction: Already posted and corrected. Microgravity doesn't paralyse your muscles. You'd lean on things just the way you do under normal gravity.

Revealing mistake: When we see the space station from the cockpit of the approaching shuttle, the station does not appear to rotate because the shuttle is rotating at the same speed. OK...except that the station IS still rotating with respect to the sun, which means that the light source and shadows on the station should be moving.

More mistakes in 2001: A Space Odyssey

Dave Bowman: Open the pod bay doors, HAL.
HAL: I'm sorry Dave, I'm afraid I can't do that.

More quotes from 2001: A Space Odyssey

Trivia: The leopard lying on a dead zebra was actually lying on a dead horse painted to look like a zebra. The cat wasn't too happy with that scene.

Larry Koehn

More trivia for 2001: A Space Odyssey

Question: Maybe I need to read the book, but can someone explain the whole ending sequence to me. Why all the flashy over dramatized pictures? It's artistic but is there some other meaning to it?


Chosen answer: All the flashing images are supposed to represent Bowman travelling past far and distant galaxies, this is what happens in the book, where he travels to that white house place.

troy fox

Answer: At the end, in the Arthur C. Clarke's story, both Dave Bowman and Frank Poole (who survived) went to a moon of Saturn to investigate the second Monolith. Dave Bowman tried to touch the Monolith with his space pod and was sucked into a wormhole that transported him to a star on the other side of the universe - at which point, Dave's last transmission is "My God, it's full of stars!" All of the "slit-scan" visual effects by Doug Trumbull (based on effects created by John Whitney years earlier) represent an almost instant voyage to the other side of the universe. Whether this is supposed to be a quantum-jump is not explained, but it's millions of times faster than anything ever depicted in Star Trek or other space fantasy knockoffs.

Charles Austin Miller

More questions & answers from 2001: A Space Odyssey

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