2001: A Space Odyssey
2001: A Space Odyssey mistake picture

Continuity mistake: When Frank Poole and Dave Bowman are discussing with HAL the possibility of HAL being in error predicting the AE-35 Unit fault, the 10x3 grid of buttons on the console in front of them is lit differently depending on whether the shot is from behind the men, or in front of them. (01:20:40 - 01:23:00)

Continuity mistake: In the scene where HAL is reading the lips of Bowman and Poole through a pod window, while they are in the pod discussing his possible disconnection, they are shown to be directly facing each other, keeping their heads perfectly still, while HAL looks back and forth from mouth to mouth. In the previous scene, the two men were not conversing in this unusual manner.

Continuity mistake: As Bowman enters B-pod to retrieve the AE-35 Unit, he lifts his left foot into the pod first. But as Poole is watching him do so on a monitor, Bowman lifts his right foot into the pod first. (01:12:45)

johnrosa

Continuity mistake: In several scenes, we are given HAL's visual perspective as if seeing through his lens. This is done with an overlayed image of the lens on whatever area is in sight of the lens. As Dave is entering HAL's memory circuit room (red lighting), one shot again suggests we are again seeing what HAL sees, but there is no HAL lens located and oriented to provide the angle we see. A lens would need to be mounted on the narrow wall directly opposite the circular doorway, yet HAL's lens in this room is mounted on the 'ceiling'. (01:51:25)

johnrosa

Continuity mistake: In a sequence in the cockpit of the space ship approaching docking, the shot shows the two pilots and 3 monitor screens between them. The right-hand screen changes from a data display to a blank showing only the letters "GDE" (possibly "GOE"). The next shot is a close-up of the three monitors, and the right-hand one now shows its earlier data display. The other two do not show this behaviour. (00:25:00)

Mike Irwin

Continuity mistake: During Heywood's meeting with Elena and Dr Smyslov, he is introduced to their colleagues, including Dr Kalinan who is the women in the olive dress/suit. When they shake hands her coat is folded neatly over her seat, but before she sits down again with the camera now facing Heywood, the coat disappears. In an earlier shot prior to the introduction, the majority of Kalinan's coat is off the seat and when she stood the first time it probably fell, suggesting the handshake sequence was re-filmed after the actual meeting. (00:28:45)

Revealing mistake: When we see the space station from the cockpit of the approaching shuttle, the station does not appear to rotate because the shuttle is rotating at the same speed. OK...except that the station IS still rotating with respect to the sun, which means that the light source and shadows on the station should be moving.

More mistakes in 2001: A Space Odyssey

Dave Bowman: Open the pod bay doors, HAL.
HAL: I'm sorry Dave, I'm afraid I can't do that.

More quotes from 2001: A Space Odyssey

Trivia: The leopard lying on a dead zebra was actually lying on a dead horse painted to look like a zebra. The cat wasn't too happy with that scene.

Larry Koehn

More trivia for 2001: A Space Odyssey

Question: What was the ultimate destination of the Jupiter mission? The giant planet is made of gas, it has no solid surface to land on. Theoretically a spacecraft could land on one of Jupiter's moons, but they lie within the lethal radiation belt.

Answer: The ultimate goal was to orbit Jupiter to study the Monolith also in orbit around it.

Grumpy Scot

Answer: The objective of the Discovery (Jupiter) mission was to locate the recipient of the powerful radio signal that was transmitted from the Moon earlier in the movie. Interestingly, the destination of the Discovery mission changed between Jupiter to Saturn and back to Jupiter during the production of the film. The Jupiter visual effects had already been shot ("in the can" as it were) when Stanley Kubrick decided to change to Saturn. It was the protest of the visual effects team, who had already spent much time and money on the Jupiter effects, that convinced Kubrick to stay with Jupiter. In the meantime, author Arthur C. Clarke went ahead and changed the destination to Saturn in his written treatment of the movie.

Charles Austin Miller

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