Continuity mistake: In the hockey game, the teams playing are the Los Angeles Kings and the Toronto Maple Leafs. You can notice the real logos when the camera is away from the action. When it gets closer, though (probably because of copyrights), the maple leaf is turned into a spades (from cards) with only "Toronto" written and the Kings' word and crown in the logo become just an "LA" with a slightly different shape.
Continuity mistake: When Riggs runs onto the ice at the hockey game, he collides with two players. After he is hit by the second player, there is a brief shot of Riggs still in the hockey box trying to open the door. This is where he was before he ran onto the ice.
Continuity mistake: When the suspect is shot in the interrogation room, we can clearly see blood on the wall behind him. But when Riggs walks in and sees him, there's no blood visible.
Continuity mistake: In the scene where the bad guys have taken the Captain hostage and are in the garage about to steal the guns, there's a closeup between the Captain & one of the bad guys talking. As the Captain turns, you can see an extra at the back wall dressed as a cop. He leans forward a little like he's supposed to jump in, then backs off. He's not there before or after that.
Continuity mistake: When Riggs is following the villains' pickup truck, they make a left turn into a highway and a Delta plane is spotted landing. In the next shot, definitely showing the same turn (note the billboard in the background for "CBS FM" which is in the same place, etc.) the plane changes into an American Airlines plane - note the disappearance of the "Delta" logo and word at the front, and that the Delta plane has a single thin red line, whereas the AA plane has a blue, white, and red stripe along it. (01:28:12)
Continuity mistake: The scene in the water after our two heroes have been fighting in the boat and Sheriff Dep. boat comes upon them: Notice Riggs's forehead hair - up, down, up, down... and both their hands keeps changing grip on the boat. (01:08:15)
Continuity mistake: When Riggs is riding the motorcycle chasing the bad guys, the damage to the windscreen of the bike changes as the shot changes from close up to long shots and back. In the close-ups the windscreen is broken in half. In the long shots it is only cracked.
Continuity mistake: As the villains attempt to flee, they and Riggs drive onto a section of freeway that is being newly constructed. However there are already skid marks on the road surface, which is of course impossible, unless lots of people have screeched to a halt right at the edge of the freeway... (01:29:50)
Continuity mistake: During the chase, an articulated lorry skids. If you look during one of the shots you can see that the trailer part is skidding over skid marks that already exist, obviously from previous takes. (01:28:55)
Continuity mistake: In the underground scene, Riggs runs into the tunnel in trainers and come out wearing boots.
Continuity mistake: When Riggs and Murtaugh pull up at the construction site the windows on the car are clear glass, but when they send the car in without a driver the glass is suddenly black.
Continuity mistake: Right after Jack's truck exits the subway rail line with a payload of guns, it goes into a skid. Here, the driver is shown wearing sunglasses. But once Jack says "Okay we lost him," the driver now sports his usual pair of glasses. (01:34:35)
Continuity mistake: Riggs sees the mugging, and rushes over to intervene. He leaps in, knocks the "mugger" to the ground, and has enough time to comment on the rubber gun before the director shouts "cut." - about 10 seconds. Was the director asleep? (00:22:00)
Continuity mistake: During the armored car chase, the bad guys' truck plate number ends "T2" while Delores' plate ends "E4". After Riggs tosses one bad guy out the back and decides to climb onto the outside, the trucks have switched sides with Delores curbside and the bad guy on her left. But two quick close-ups of the trucks bumping together shows Delores' truck is again on the left. (00:13:00)
Continuity mistake: When Riggs and Murtaugh are disarming the bomb in the car at the start of the movie, the sweat on Murtaugh's face keeps disappearing and re-appearing between shots.
Continuity mistake: During the chase involving the road-rail truck, the truck used by the villains is diesel powered, as evidenced by the "DIESEL" decal below the left headlight, seen while the truck is still on rails. However, later on when the truck is on surface roads, the below-headlight decal has changed to "EFI", indicating it is now a gas-powered truck.
Continuity mistake: When Delores rams her armored truck into the impostor truck in front of her, its rear bumper becomes noticeably damaged and sags lower. But in subsequent shots, the bumper shows no signs of an impact. (00:11:20 - 00:12:20)
Continuity mistake: Just before the end, Riggs and Murtaugh argue in the street. In the background is a cloud of dust and a greenish car driving around. This same car drives the same piece of road 5 seconds later, and another 10 seconds later you hear the same engine/exhaust sound during a close-up (4 passes total if you count the first dust cloud).
Continuity mistake: When the armor truck driving thief starts to come to on the hood, he lifts his head straight up. But in the next shot his head is back down and tilted and he lifts it up again.
Continuity mistake: When Murtaugh and Riggs enter a parking garage to disarm the time bomb in a car's back seat, a No Smoking sign posted on the wall behind Murtaugh becomes obstructed by a vertical pipe and a red warning light between shots. At first the sign is plainly visible, but after Riggs slowly opens the door, the sign's reflection in a window near Murtaugh suddenly reveals the obstructions. (00:03:30)
Answer: So what does it mean? "Nothing, " says screenwriter Jeffrey Boam. "It's a complete non sequitur. The (original) line was something like 'Close doesn't count, ' or 'Close only counts with horseshoes.' Dick (director Richard Donner) is a fun-loving guy," says Boam, "and this thought just popped into his head. He said, 'Let's have her say something completely off the wall.'" Boam, who wasn't on the set at the time, quickly faxed Donner a dozen meaningless lines that began with the words, "Close is..." Then the whole cast and crew started coming up with them. But the one they used came from Russo herself. "This is like some line from a Beatles song," says Boam. "I guess people are trying to figure it out."