Halloween II
Halloween II mistake picture

Visible crew/equipment: On the GoodTimes DVD release of Halloween 2, just after Dr. Loomis blows up the hospital room the camera switches to the hallway where Laurie is running away. The explosion comes through the hallway and you can see the right side of the hallway shaking - this shows that the wall is a studio set wall. You can also see wires behind it and the wooden supports that are holding it up. (01:25:30)

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Halloween II mistake picture

Continuity mistake: After Ben Tramer gets hit by the police car, his body can be seen and heard slumping. In the next shot, he is pinned fully upright.

Halloween II mistake picture Video

Continuity mistake: Nurse Jill turns around before Michael Myers stabs her. After she's stabbed, she's already facing forward and her head doesn't snap to face the camera.

Revealing mistake: When Loomis shoots the marshal's window out, when he makes a u-turn you can see the tire marks on the road and dirt from previous takes.

More mistakes in Halloween II

Sam Loomis: I ought to handcuff you to the wheel, but I have a feeling I'm gonna need you in there. Can I trust you?
Marshal: What have I got to lose, except my job?

More quotes from Halloween II

Trivia: Director Rick Rosenthal wanted to maintain the tactful and tasteful, slow-burn nature of the original film, and his original director's cut lacked blatant gore and nudity. However, writer/producer John Carpenter felt horror fans would not accept a film without extreme content due to the rise of various extremely graphic slasher-films in the wake of the original film. Thus, Carpenter went back and ghost-directed several new scenes to add in extra nudity and violence into the movie. (And if you watch the movie very closely, these reshoots can be pretty obvious, as they don't quite fit in with the rest of the film).

More trivia for Halloween II

Question: How can Michael recognize Laurie as his younger sister since he wouldn't have seen her since she was only two years old?

Answer: There is a scene where Laurie dreams about meeting Michael as a young teen. It's unknown whether this is an actual memory of real events, but since nothing indicates otherwise, we could assume the he saw her at an older age when she looked closer to her 17-year-old self.

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