An American Werewolf in London

Plot hole: The first time David werewolfizes, he's reading a book in the brightly lit apartment. Exterior shots of the full moon show it's nighttime out, so the lights inside the apartment must be on. But when Dr. Hirsch calls to check on him, the shot is of the phone ringing, unanswered, in the completely darkened apartment. That's considerate, David. Even as a werewolf, he must have run around turning lights off before going on his rampage.

Continuity mistake: In the scene where David (as a werewolf) exits the theatre, causing general havoc and mayhem, a car crashes into the one in front of it, sending the "driver" through the windshield. If you watch closely (or use slo-mo), you'll see that the driver goes through the windshield just before hitting the car in front of him (or her).

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Jack: Your parents came to my funeral. I was surprised at how many people came.
David: Why should you be surprised? You were a very well liked person.
Jack: Yeah. I was, wasn't I?
David: Well, I liked you.
Jack: Debbie Kline cried a lot.
David: God, am I asleep now, awake or what?
Jack: So-So you know what she does? She's so grief stricken, she runs to find solace in Mark Lavine's bed.
David: Mark Lavine?
Jack: An asshole. Life mocks me even in death.

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Trivia: When the movie was first shown in theaters, the marquee read, "From the director of Animal House...A Different Kind of Animal." This lead many movie patrons to believe that it was another comedy film. People ran out of theaters in terror when they realised it was a horror movie.

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Question: When David transforms, why do his eyes stay shut through most of the change except when his hand changes?

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Chosen answer: David has his eyes closed because of the excruciating pain he's experiencing. His eyes open to see his hand change because it's cinematically and visually cool to see his own reaction to what's going on. That's how director John Landis directs!

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