Other mistake: When the two Americans are walking on the moors, their shadows are always in front of them, despite them having changed direction numerous times. Additionally, with the moon always being behind them, how are their faces being lit?
An American Werewolf in London (1981)
Ending / spoiler
Directed by: John Landis
Starring: Griffin Dunne, Jenny Agutter, David Naughton, Brian Glover, David Schofield, Joe Belcher
Alex tries to help David when he's cornered by the police after causing a lot of panic at Piccadilly Circus. Alex tells David that she loves him and he almost attacks her but he's killed by the police.
More mistakes in An American Werewolf in London
Jack: Your parents came to my funeral. I was surprised at how many people came.
David: Why should you be surprised? You were a very well liked person.
Jack: Yeah. I was, wasn't I?
David: Well, I liked you.
Jack: Debbie Kline cried a lot.
David: God, am I asleep now, awake or what?
Jack: So-So you know what she does? She's so grief stricken, she runs to find solace in Mark Lavine's bed.
David: Mark Lavine?
Jack: An asshole. Life mocks me even in death.
Trivia: John Landis wanted to use Cat Stevens song Moon Shadow for the opening credits. Cat Stevens refused because he believes werewolves actually exist.
Question: When David is starting to turn into a werewolf, he sees his entire body starting to change. So why is it that when he is talking to Alex the next morning he can't remember it happening and the last thing he remembers is reading a book?
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Answer: Traumatic events have a tendency to disrupt the memory - people who have been involved in a car accident, for example, often have no memory of the events leading up to the accident, even though they would obviously have perceived those events at the time. The physical and mental stresses of the werewolf transformation have clearly disrupted David's memories in a similar fashion.
Tailkinker ★