Visible crew/equipment: In the extreme close up of young Elizabeth's face, when she first sees the Black Pearl, the only things in front of her are 1) sky; 2) sea; 3) Black Pearl. Yet, in her eyes are reflected two big, round objects - filming spots or reflectors. (00:04:45)
Visible crew/equipment: When the dock master tells Jack, "Hold up there you. It's a shilling...," seen in the background on the left of the screen is a thatched roof enclosure. An orange aluminum ladder is sitting under the thatch. Many of the crew's orange aluminum ladders of various heights can be seen on DVD 2. (00:10:10)
Visible crew/equipment: During many close-ups of Jack, Will and other characters, either two side by side reflectors or a single large reflector screen are clearly reflected in their eyes. (00:16:45)
Visible crew/equipment: After Jack rescues Elizabeth, Norrington shows up on the dock and points his sword directly at Jack. In the first shot facing Norrington, (as the sword points toward the camera, which is Jack's POV), the clear reflections of crew members are visible on the large underside of the crossguard, at the hilt of Norrington's sword, when in fact the only one who should be in the reflection is Jack, or possibly even Murtogg or Mullroy. (00:16:50)
Visible crew/equipment: On the dock, when Jack grabs the rope, flies up and escapes, the cannon comes crashing down onto the dock. When the wood planks break (pre-cut wood), two Marines fall into the hole. Seen hanging under two of the remaining fixed wood planks are strips of tape that was used to help secure the pre-cut wood together with the fixed wood. Another view of this is also seen on DVD 2. (00:19:45)
Visible crew/equipment: At the blacksmith shop, Jack and Will start to duel and Jack asks, "But how's your footwork?" In the next close-up shot of their feet, the imprint of a modern, flat bottom trainer/sneaker sole can be seen on the dirt floor at the bottom right of the screen. It is not the imprint of a heel and sole of the time period. As a point of interest, on the video version of this film there are multiple imprints visible. (00:23:25)
Visible crew/equipment: Will grabs the red hot sword and during the 'white light', Will's sleeve becomes translucent so the cable attached to the hilt is seen inside Will's right sleeve. When Will thrusts his sword at Jack's legs, the cable's seen again and the bulge under the vest is from the battery pack. In the close-up, their arms in the air, Will's left hand is about to grab Jack's wrist and the cable is seen openly at Will's wrist, going from the hilt into his right sleeve. The cable's hidden in Orlando Bloom's shirt and is powered by the battery pack (mentioned in another mistake), to supply the power for the spark effect of the sword. (On disc 2, Marc and Tony, rehearse this particular sword sequence and the two cables leading from the hilt are seen dragging on the floor as they duel. On the video, the cables are visible on Johnny and Orlando.) (00:24:15)
Visible crew/equipment: When Jack and Will duel, Jack says, "You need to find yourself a girl, mate," and he takes a mallet from above, Will ducks. In the next back shot of Will as he ducks, the back, left flap of his vest goes up. There is a battery power pack secured with black tape to the left side at the back of Orlando Bloom's pants' waistband. There are several shots during this scene when a small bulge under the back of his vest can be seen. (00:24:45)
Visible crew/equipment: During the cannon attack on the harbour near the beginning of the film, a spring board, used to propel one of the stuntmen dressed as a sailor into the air, is visible during an explosion near the dock. (00:30:20)
Visible crew/equipment: When the Black Pearl fires on Port Royal, during the cannon fire in the town, one of the stuntmen shouts as he is being propelled into the air by a spring board and then lands on a vegetable cart. The spring board is perfectly visible behind a wheelbarrow and sack. This occurs just before the first shot of the chimney exploding. (This is another stuntman and spring board than the other mistake.) (00:30:20)
Visible crew/equipment: Aboard Dauntless, when Will says, "Here they come," behind him the deck can be seen. Then when the grapnels are being swung over Dauntless' rail by the Marines, very taught lines inches above the deck are seen going through the balusters of the rail leading to Interceptor. The taught lines were not placed by the Marines, only the grapnels, nor were they placed by Will and Jack. As Norrington says, "Set top sails and clear..." those lines going through the balusters aren't in this shot. These lines are the 'real' lines used by the crew's marine-unit for set up of the separation of the two ships. (00:46:50)
Visible crew/equipment: Just after Will cuts the lines from the Interceptor to the Dauntless, the Interceptor is shown leaving. The next shot is of the back wood plank between the ships falling away. On the deck of the Interceptor, behind the railing, on the right of the screen, is a crew member ducking down, so as not to be seen by the camera. (00:47:10)
Visible crew/equipment: Aboard the Interceptor, as Jack asks, "Can you sail under the command of a pirate...?" at the upper right corner of the screen, the corner of the crew's white reflector screen is perfectly visible in front of the boom. (00:50:15)
Visible crew/equipment: Will rescues Elizabeth from Isla de Muerta and brings her back to Interceptor. Will says, "He fell behind," then Gibbs says, "Keep to the code." In between those two lines there is a shot of some of Jack's crew, and beyond the white haired man's right shoulder, a bald crew member is partially seen. He is not one of Jack's crew, as every one of them, bald or not, is accounted for on deck from the time Elizabeth comes aboard. (01:16:15)
Visible crew/equipment: Elizabeth comes up from below deck and asks, "What's happening?" and Anamaria answers, "The Black Pearl, she's gaining on us." Anamaria is alone at the wheel at the stern of the boat. Elizabeth then steps up and leans over to get a better look at the Pearl. In the next shot, the side of Interceptor can be seen, and in the distance is the Pearl. In this shot, on deck behind the rigging we see a crew member's leg and some other hand movement, it is not Anamaria's nor Gibbs' leg. (01:21:30)
Visible crew/equipment: During the battle between the Interceptor and the Black Pearl, as Jack takes Elizabeth aside and asks her where the medallion is, on the top right corner is a film crew member's hand with a watch on it. (01:29:05)
Visible crew/equipment: Jack is in one of the boats with Norrington and his men, at Isla de Muerta. Norrington looks through the telescope, saying that he doesn't care for the situation and in the wide shot, when Jack says, "Not if you're the one doing the ambushing," in the water, to the right of the boat, a crew member's green flipper can be seen coming up out of the water. The divers kept the boats steady while filming. (01:43:05)
Visible crew/equipment: When Jack and Barbossa duel in the cave, Barbossa hits Jack in the face. Barbossa yells, "Aaaah," and Jack takes off running with his arms waving wildly in the air. In this shot, as Jack waves his arms, at the bottom right corner of the screen, the wood scaffolding that was built for the cave set can be seen near the rocks in the water. The cave set scaffolding can be seen being built on Disc 2 of the DVD. (01:57:20)
Visible crew/equipment: After Barbossa is shot by Jack, Barbossa pulls apart his jacket to reveal the wound. In this close-up, behind Barbossa to his left, the blue cloth/mat is visible at the bottom of the screen lying on the treasure pile. It was obviously not there in the previous shots. (Though this is visible on the DVD, a better view is on the video.) (02:01:20)
Visible crew/equipment: After Will admits to Elizabeth that he loves her, she looks over and sees Cotton's parrot sitting on the flag post. Mullroy is also watching as a black-haired crew member, wearing a short-sleeve, white tee-shirt, can be seen holding the post and shaking it with his bare arm to get the parrot to fly off. (02:06:00)
Answer: On Disc 3, Johnny explains, "Take something as solid as Keith Richards and combine it with Pepé Le Pew... I felt... he would resemble a modern day Rastafarian..." Pepé Le Pew is a Looney Tunes cartoon character, based on Charles Boyer's romantic character, Pepé Le Moko. Pepé Le Pew, however, is a romantic amorous cartoon skunk and he has a huge flaw - his 'odor', which he emits in a grand way.
Super Grover ★