Visible crew/equipment: When Mrs. Peacock turns on the cellar lights, a piece of lighting equipment is visible to the left of the screen. (00:47:45)
Clue (1985)
1 review
Directed by: Jonathan Lynn
Starring: Christopher Lloyd, Tim Curry, Michael McKean, Lesley Ann Warren, Madeline Kahn, Eileen Brennan, Martin Mull
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(17 votes)
9.6/10. A gem among B movies. Tim Curry and Madeline Kahn really make the movie work. It feels like a nice mix of detective genre with humor. It never felt dull as it moved along with a nice brisk pace. Wadsworth was like Sherlock Holmes only with a funny personality and frenzied energy. Clue is one of those misunderstood movies of the 80's when it should be viewed as a comedy, a good one too, with a good cast, script, and well made. I enjoy this sort of attention to a project, it shows the work and passion of people who care.
Wadsworth: The game's up, Scarlet. There are no more bullets left in that gun.
Miss Scarlet: Oh come on, you don't think I'm going to fall for that old trick.
Wadsworth: It's not a trick. There was one shot at Mr. Boddy in the study, two at the chandelier, two at the lounge door, and one at the singing telegram.
Miss Scarlet: That's not six.
Wadsworth: One plus two plus two plus one.
Miss Scarlet: Uh-uh. There was only one shot that got the chandelier, so that's one plus two plus ONE plus one.
Wadsworth: Even if you were right, that would be one plus one plus two plus one, not one plus two plus one plus one.
Miss Scarlet: Okay, fine. One plus two plus one...SHUT UP! Point is, there's one bullet left in this gun, and guess who's going to get it!
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Chosen answer: Tim Curry (as Wadsworth) states he knew about the secret passages because the house belongs to a friend of his. Tim Curry (as Mr. Boddy) says at the end of the movie that they "Could stack the bodies in the cellar and could all leave one by one." Which infers that Mr. Boddy has no intention of returning to the house. Either way, there is no definite way to tell who the house belongs to considering all the lying going on.
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