Superman II

Continuity mistake: When the villains are trapped in the phantom zone (filmed by Richard Donner) Zod, Non and Ursa (from left to right) are tightly pressed against a glass. When the elevator explodes and are about to be released (filmed by Richard Lester) not only are they not pressed, but neither in line, having changed positions (and looks, as already listed): Non now stands above Zod and Ursa.

Sacha

Continuity mistake: In Krypton when Non breaks the guard's neck the guard presses an emergency button. In the wide angle all of his fingers are extended, but in the close-up only the index is. This changes back and forth.

Sacha

Revealing mistake: The villains send cars flying through the air. This was achieved with detailed scale model cars in a scale model Metropolis. But in order to mimic the blown-away citizens they use cheap mannequins that move on some sort of conveyor belt. (01:43:50)

Sacha

Revealing mistake: When the villains blow away the stuff in Metropolis, the fire hydrant falls down and reveals it wasn't fixed to the ground, a blatant prop.

Sacha

Revealing mistake: At the Fortress, when the villains and Superman play the appearing/disappearing trick, there's a shot with 4 Supermen onscreen, a special effect which was achieved with stand-ins. The one in front of Zod, and especially the one next to Lois look nothing like Christopher Reeve.

Sacha

Continuity mistake: At the Fortress, when the 3 villains extend their arms to send a laser beam to Superman, there's a very brief shot on Ursa and her hair style is completely different. Very short and with her forehead very clear.

Sacha

Continuity mistake: When Superman is putting the antenna back in place, watch the right of the platform with a bunch of metal parts and cables sparking. In the closeup they disappear.

Sacha

Continuity mistake: The branch that Superman cuts to save Lois from drowning swaps from bright milky chocolate colour to pale dark brown depending on the shot.

Sacha

Continuity mistake: When Lois is cutting oranges the glass jumps from being on the right side of the table to being on the far left.

Sacha

Continuity mistake: When Superman is crossing the street and a taxi crashes against him, the passers-by are not continuous between shots. Check the African American girl in a pink dress who appears randomly on every single corner of the streets around.

Sacha

Continuity mistake: After Lois asks the Paris spokesperson about the bomb he turns around and talks to her. Then it suddenly cuts to a closeup of his face and he's now talking to the journalists that were on the left, without having turned his head or body.

Sacha

Continuity mistake: At the Eiffel Tower Lois approaches the spokesperson, cut to a wide angle where he is facing left. Then as she arrives there's a close up of him turning around. Then back to the previous wide angle where he is facing left again.

Sacha

Continuity mistake: Perry White is telling Clark about the terrorists while composing the headlines. Note the cut-out of the word IN under Paris. It swaps from straight to slanted between angles.

Sacha

Revealing mistake: When Luthor and Teschmaker are in the balloon, in the wide angle they both become coloured green due to the blue screen effect.

Sacha

Visible crew/equipment: There is a moving boom mic above Clark when he talks to Mr. White about the terrorists in Paris. (The Ultimate Collector´s Edition Box Set).

Sacha

General Zod: Why do you say this to me, when you know that I will kill you for it?

More quotes from Superman II

Trivia: Richard Donner, the director of Superman, was originally hired to make Superman II. He had made over half of the movie before being fired. Richard Lester was hired to complete the film. So, Superman II contains footage from both the Richard Donner version and the Richard Lester version.

More trivia for Superman II

Question: At the end of the movie when Clark and Lois are talking to each other at the Daily Planet, Clark kisses Lois and she forgets that Clark is really Superman. How could that happen and why would Clark make Lois forget that he is Superman, since she promised not to tell anyone?

Answer: Superman was be able to kiss Lois in such a way that the heightened emotion wiped out her memory of his identity. To answer your second question, even though Lois promised not to tell anyone, Superman decided he does not want even her to know his secret identity.

Matty Blast

Answer: I don't agree that he didn't even want her to know because he struggled in the beginning of the first movie with telling her on the first date. He was about to tell her from the beginning who he was. I don't understand why he was breaking it off with her at the end of the second movie and erased her memory to help her get over him. This confusion continues when he develops a relationship with another woman in the third or fourth movie.

At the end of the movie, he realises her love for him is torturing her, so he decided to remove the memories to end her suffering. It works, too, because as soon as she forgets, she's back to her old, happy self.

More questions & answers from Superman II

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