The Sting

Factual error: When Hooker comes out of the diner there is a billboard advertisement to the right. It is for Ezra Brooks bourbon. Ezra Brooks brand wasn't created until 1957.

Factual error: When Lonnegan brings the briefcase full of money to the cage for his big bet, all of the 100s in the case are 60s federal reserve notes, which obviously did not exist in the 1920s or 30s.

Factual error: The Helvetica typeface, used on the 43rd Street 'L' platform is not correct for the period of the film.

Factual error: When Hooker gets caught in the phone booth by Schneider, the very last shot has Hooker running down a street with a row of cars contemporary to the period parked on the left. If you look just beyond the 'prop' cars, you can see modern cars parked.

Factual error: When Hooker comes out of the diner there is a billboard advertisement to the right. It is for Ezra Brooks bourbon. Ezra Brooks brand wasn't created until 1957.

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Trivia: Even though it sets the mood for the film, Scott Joplin's ragtime music was no longer popular during the 1930s.

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Question: If Salino was a hit woman for Lonnegan, why did he put a hit on Hooker, who he was working with to play the track? Also, who were, and why did the hit men arrive at Hooker's apartment to kill him?

Answer: He wanted to kill the man who swindled him out of his money. He didn't know it was Hooker. Same thing with the two hit men, they didn't know the hit woman was working the same hit.

Isn't one of the hit men who got Luther (and who would also know what Hooker looked like) the big tall security dude (on the train) for Lonnigan? I thought he was one of the black and white photos. Seems to me Lonnigan would eventually know that Hooker and Kelly were the same guy?

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