Audio problem: In the scene when Mr Blonde comes to the warehouse and asks Mr White if he's going to bark all day, Mr Pink rushes in to break them up and right after he says 'calm the f**k down', he says 'hey come on' but his mouth doesn't move.
Reservoir Dogs (1992)
1 audio problem - chronological order
Directed by: Quentin Tarantino
Starring: Steve Buscemi, Harvey Keitel, Tim Roth, Michael Madsen, Quentin Tarantino, Chris Penn, Lawrence Tierney, Kirk Baltz, Eddie Bunker
Continuity mistake: When Mr Blonde cuts the ear off the cop, we cut to a shot of him holding the ear, it is covered in blood. However, when we cut to a shot of Mr Blonde talking into the ear, there is no blood on the ear.
Mr. Pink: Hey, why am I Mr. Pink?
Joe: Because you're a faggot.
Mr. Pink: Why can't we pick our own colors?
Joe: No way, no way. Tried it once, doesn't work. You got four guys all fighting over who's gonna be Mr. Black, but they don't know each other, so nobody wants to back down. No way. I pick. You're Mr. Pink. Be thankful you're not Mr. Yellow.
Mr. Brown: Yeah, but Mr. Brown is a little too close to Mr. Shit.
Mr. Pink: Mr. Pink sounds like Mr. Pussy. How 'bout if I'm Mr. Purple? That sounds good to me. I'll be Mr. Purple.
Joe: You're not Mr. Purple. Some guy on some other job is Mr. Purple. You're Mr. PINK.
Mr. White: Who cares what your name is?
Mr. Pink: Yeah, that's easy for you to say, you're Mr. White. You have a cool-sounding name. All right look, if it's no big deal to be Mr. Pink, you wanna trade?
Joe: Hey! NOBODY'S trading with ANYBODY. This ain't a goddamn fucking city council meeting, you know. Now listen up, Mr. Pink. There's two ways you can go on this job: my way or the highway. Now what's it gonna be, Mr. Pink?
Mr. Pink: Jesus Christ, Joe, fucking forget about it. It's beneath me. I'm Mr. Pink. Let's move on.
Joe: I'll move on when I feel like it... All you guys got the goddamn message?. I'm so goddamn mad, hollering at you guys I can hardly talk. Pssh. Let's go to work.
Trivia: Michael Madsen was extremely reluctant to film the torture scenes, especially when he was required to hit Kirk Baltz.
Question: There is a piece of music that you can hear for just a split second when Mr. Blond is tuning through the radio stations looking for K. Billy's super sounds of the 70s (right before he tortures the cop). The exact same piece of music is also heard for a split second in Kill Bill Vol 2 when the camera is looking down on the bride's body in the church. What song is this piece of music from?
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