Continuity mistake: As Jake and Olivia steal a car while their enemies are shooting at them, we see a rear-view mirror. A few seconds later, Jake turns to check if they are followed, and the mirror has vanished. As they reach the safe house the mirror is back. (00:19:55 - 00:21:30)
Continuity mistake: After Cooper notices that Hauser is corrupted she touches her fists with him, the level of the window changes between shots.
Continuity mistake: When Griffin gets out of bed, when he hears the clown song he pushes the bed sheets forward about 3 feet from the pillow but when his dad goes into Griffin's room, the sheets have been pulled up about half that length.
Continuity mistake: Towards the end while Brian and Welch are talking at the hotel, the sun on the wall changes between shots.
Continuity mistake: The guys pass 3 women walking on the sidewalk just before the Ciel pulls up at the hotel to visit Travis. 2 of these women are in the next shot where Vinnie and Eric get out of the car and walk into the hotel. The tall one in a floral dress walks away from the camera and stands to one side, and the blonde wearing the black top and spotted shorts is chatting in the background. (01:06:05 - 01:06:55)
Continuity mistake: When Specs and Tucker first arrive, pay attention to the cupcake Tucker is eating. When Tucker says "Thanks little man, some of my best editing on that one!", the cupcake still has frosting on top and he begins to peel the wrapper from it. The film cuts and suddenly there's no more frosting, nor is his hand still removing the wrapper. Then, over the next series of edits, the amount of frosting on the cupcake and the amount of cupcake left in his hand changes repeatedly.
Continuity mistake: After the opening scene in the Middle East, the scene cuts to an overview shot of London fading towards the U.S. Embassy. As the scene starts, the time on Big Ben is 3:05, but when the camera reaches the U.S. Embassy, the time read on the description at the bottom reads 8:15.
Continuity mistake: SPOILER: The boy, Roger, finds a glove in a secret drawer in Mr. Holmes' room. The glove is lying perfectly flat in the drawer. It had supposedly been there for years unknown to Mr. Holmes. Later, in a flashback scene, it shows Dr. Watson putting the glove in the drawer. When he puts the glove in the secret drawer, it is not laid flat in the drawer - it has an obvious upward bend in the glove. Since the glove had been in the drawer, untouched, for years, it should have still had that upward bend.
Suggested correction: Although we are only shown Watson putting the glove in the drawer once there is no reason to suggest he may not have looked at it again before he left for good. More compellingly, Watson placed the glove in the drawer whilst the bureau was in place in Holmes' quarters in London, and it was not discovered until a quarter of a century later having been moved at some point to Holmes' house in Sussex. This journey could also easily have displaced the gloves position to some degree. The weight of papers contained in the drawer above may have also aided in flattening the glove out over the years.
Continuity mistake: When Keanu is talking with his wife on the tablet, he closes his shirt with his left hand, but in the image of him on the tablet, his shirt is still open.
Continuity mistake: When Billy and his daughter are at Moreen's grave the sun changes between shots.
Continuity mistake: As Sean Penn arrives in the bar at the beginning of the movie, Annie is engaged in conversation with another man, saying "We have to meet the new Minister of Health." You can spot her in the group shot and she has her elbow on the table and leaning her head against the hand. In the close-up her position is completely different. (00:03:00)
Continuity mistake: When Kevin Bacon is shouting "did you open the trunk?" at the boys through the window of the sheriff's car, his hand is full palm on the glass from the exterior shots, but in an entirely different position in the shots of him from inside the car.
Continuity mistake: When Dre is talking to his brother outside the house before he leaves, the house in the background is showing partial sun (around sunset). Then, it becomes fully in the sun in the last shot as he's now leaving. The frame instantly changes to a wider view of the street, and now the house is fully shady with the sun already down.
Continuity mistake: In order for Superman, Wonder Woman and Batman to break into the secret room, they knock it down. Four enemies who were waiting for them in front of the door are crushed by the falling door and blood is splattered, forming a pool of blood in front of the door. During the fight that follows, there are several shots where the knocked over door is shown, but the pool of blood at the front of the door has vanished. (00:07:10)
Continuity mistake: During the dinner scene in Simon Pegg's apartment, watch Kate Beckinsale's bowl of soup. There's a large bubble stuck to the rim and the location changes back and forth between shots.
Continuity mistake: In the scene when Grandma's car breaks down when Grandma and Sage are on the way to Sage's appointment, Grandma doesn't have her purse when she gets into the stranger's car. In the next shot, when they exit the back of the minivan, Grandma now has her purse around her neck and by her side.
Continuity mistake: When Nicolas Cage is standing on a roof top patio with the oil industry financier, an orange disappears. The oil guy is peeling an orange as he talks to NC and then when Cage leaves the scene the orange is gone without it ever being eaten or discarded. (01:00:00 - 01:05:00)
Continuity mistake: When Steven and Bryson are at Enterprise, the sweat on Steven's shirt changes between shots.
Continuity mistake: The blood on the good guy's white shirt continuously changes through the last chase. (01:22:00 - 01:26:00)
Continuity mistake: When Peter Pan is fighting the tribe's Pan on the trampoline and they're just about to finish Peter Pan off, the elder chief calls for the fight to stop. Peter's arms are above him in the overhead shot but are outstretched in the view from behind Peter.