Visible crew/equipment: When moving into their apartment Patrick Swazye kicks the statue to make it swing so they can get it inside. As they are looking at the statue, two moving men cross in back of them carring a mirror and as they pass you can see the director and camera crew in the reflection.
Visible crew/equipment: When Sarah is fighting with Garcia in her home, for a brief moment 2 crew members are seen, one in white shirt and beige pants (looks like director Clint Eastwood) and the other wearing a blue shirt and dark pants. (01:24:15)
Visible crew/equipment: Towards the end of the movie, the Predator is climbing up the side of a tall building. Danny Glover jumps in his car to take off after it. As he starts to drive away, towards the left you can see the shadow of an elevated cameraman/equipment. (01:03:55)
Visible crew/equipment: When the crazy woman who said that Edward comes from hell leaves the backyard, you can see the reflection of a crewmember on the left side of the window.
Visible crew/equipment: In the saloon scene where Doc passes out, a production light with barn doors and stand can be seen in the upper left over Marty's shoulder.
Visible crew/equipment: When Kyle is fighting Chucky, she walks backwards into Joanne's dead body and jumps. Behind her in the mirror you can see the reflection of a boom mike bob down for a couple of seconds. (00:53:05)
Visible crew/equipment: When the baby in the baby stroller is rolling down the cliff hills, a safety wire attached to it is briefly visible, as Luke chases after it.
Visible crew/equipment: In the scene were the adults go back into the sewer, and they have the feeling: "Something is coming", you can see the shadow of the cameraman, twice. One time, coming closer from a pipe, and another time, moving away. Look on the right wall/right on the floor.
Visible crew/equipment: Look over Val's right shoulder as Rhonda is supposedly driving upside down with her legs sticking out the back window of the truck cab and you can see a man driving for her. (00:42:40)
Visible crew/equipment: When we first see McClane on the snowmobile, marks from the camera snowmobile are visible. (01:27:20)
Visible crew/equipment: When Kevin first realises he's home alone and goes into Buzz's room, there is the leg of a crew member to the bottom right of the picture (wearing jeans). (00:19:20)
Suggested correction: Not visible at all.
Visible crew/equipment: When the Red October sub has surfaced to let the crew get off because of the supposed nuclear leak, there is a brief shot where you can clearly see the camera and its filming crew in their tennis shoes on the deck. (01:45:52)
Visible crew/equipment: As Nikita is dragged from the courtroom by the police, she rolls around. You can see that a pad has been taped to her lower back for protection. (00:11:45)
Visible crew/equipment: In the shot in April's apartment where Leonardo and Raphael are arguing about how they should look for Splinter and the Foot, a crew member with an orange hat can be seen ducking behind the table on the left. (00:38:00)
Visible crew/equipment: When a carload of bad guys drives past the front of Seagal's sister's house and riddles the front of the house with machine-gun fire, Seagal quickly slams the front door shut, and you can very clearly see all the stunt charges attached to the door.
Visible crew/equipment: When Mrs. Sullivan pulls up along the road, three crewmembers pushing the camera along are beautifully reflected in the side of her car. (00:57:15)
Visible crew/equipment: When Ben first arrives at the house, a zombie tries to get in through a door in the kitchen. Ben fights it off and tries to push it out the door. Initially, when he first closes the door on the zombie, the relfection of the cameraman is seen as clear as day in the window of the door.
Visible crew/equipment: In "Cat from Hell" Amanda trips over the cat on the staircase, and falls downstairs. The white kneepads that she wears as she rolls down are quite visible in the slow motioned close-up of her. (00:40:30)
Visible crew/equipment: When Dr. Faxx is programming the new directives into RoboCop, the camera pans around RoboCop's body. You can see the reflections of a camera and a crew member on RoboCop's helmet. (00:47:55)
Visible crew/equipment: When Mel and Goldie enter the salon on the motorcycle, you can clearly see the ramp used to help propel the motorcycle forward, just as Mel comes to a stop.