Visible crew/equipment: About one hour and fifty minutes in, the two stars get into a fight and are rolling around the floor. In at least one scene, a cameraman, with a handheld Panavision camera, is quite visible in the middle of the shot.
Visible crew/equipment: At one point Clint Eastwood is out in the woods practising his shooting with his new .44 auto-mag pistol. While he's doing this, a car pulls up and a black male begins to get out with a shotgun. (We later learn that this is his partner). As the man with the shotgun is opening his door, if you look at the reflection in the car window, you can clearly see the reflection of a man with a camera and another man standing next to him.
Visible crew/equipment: After Calvin Bouchard makes the announcement to tourists visiting the Undersea Kingdom to evacuate, we see the tour guide lead the crowd through the tunnels. The green screen backdrop is still in the final cut. They forgot to add in the underwater effect.
Visible crew/equipment: The rancor puppeteer's arm can be seen on the far right side of the screen as it starts poking at a hiding Luke. Widescreen version only.
Visible crew/equipment: When Dr. Raymond leaves with Mary in his car after talking to Norman, when he drives off the entire crew and equipment can be seen reflected in the side of his car. (00:41:50)
Visible crew/equipment: When the telephone rings, Cujo bounds over and begins barking at it. After he has finished barking, he lingers in the window frame, and then, you can see a crewmember's hand come in, and pull him down from the ledge. (00:55:30)
Visible crew/equipment: In one of the first scenes, two plain-clothes cops are chasing a suspect. The suspect runs through a house and down some stairs. Look under the stairs. You can see a person trying to hide in the dark under the stairs, presumably a stage hand.
Visible crew/equipment: Just after JB says, "Shaken, but not stirred," the camera lights are reflected moving across the chrome trim of his car window. (00:25:10)
Visible crew/equipment: When the FBI van pulls up in front of the 7-11 to take Broderick away, lights and other rigging are reflected in the van.
Visible crew/equipment: When Christine smashes into the little white car inside Darnell's garage, she gets hooked to the car. Christine backs up trying to disconnect herself from the white car. When the white car finally is released, the momentum of the maneuver sends the white car skidding into other cars. Look carefully and you will see the casters mounted underneath the white car allowing it to easily skid along the floor. (01:37:30)
Visible crew/equipment: During the climax on the plane Kamal Kahn asked the henchman with the turban to get Bond. When Bond uses the antenna to push him off the plane, you see the henchman fall off from a below view, you can see that the henchman is wearing a parachute.
Visible crew/equipment: When Sarah drives away from the clinic in tears after seeing Johnny, the side of her car shows us two banks of studio lights, a reflector panel and part of the camera crew. (00:24:00)
Visible crew/equipment: Before the chase between Bond's bike and Fatima, right when Bond opens the box where the bike is in, a lighting screen is reflected on the front light of the bike.