Best movie visible crew/equipment of 1982
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Visible crew/equipment: When one of the government cars drives alongside the boys on their bikes as they're nearing the bottom of the hill, in the closeup of the car the reflection of a crew member wearing a cap can be seen on the back passenger window, just as the driver speaks into his radio mic and says, "We got 'em," at the start of the shot.Super Grover
Visible crew/equipment: In the breakfast scene when Robbie's milk glass spontaneously shatters from the bottom. Watch closely, you can see a string coming out of his cereal bowl and attaching to the bottom of his glass. Robbie just needs to give the glass a little tug, and splash. Watch in slo-mo a couple times, then it's really obvious at regular speed.
Visible crew/equipment: Near the beginning when the new recruits have arrived & are being harangued by the drill sergeant for the first time, in the shot where he walks along the line of recruits towards the camera you can see the camera dolly tracks on the grass. Then when the angle changes to a long shot you can see the marks left in the grass by the tracks.
Visible crew/equipment: When Alan and Lora go to see Kevin Flynn at his game room they find him playing his videogame 'Space Paranoids'. After he finishes playing, he turns around to talk with Alan and Lora. As they are speaking you can see the microphone coming up from the bottom of the screen. It even hits Kevin Flynn in the hand.
Visible crew/equipment: When Fenwick and Boogie are driving in the country watching the woman on horseback, the window on Fenwick's side of the car goes up and down several times in different shots. When the window is up, the cameraman can be clearly seen reflected in the glass.
Visible crew/equipment: When the wild horses, known as the brumbies, come rushing past the ranch, a cowboy can be seen to the far left of the frame herding them into the channel between a tree in front of the home's front fence and the fence itself. It's an awesome, but complex shot, and the rider was meant to be out of frame, but the technical realities of a shot like that have him just inside the frame's edge.
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