Plot hole: A vital plot line, obviously, is that Doyle wants to kill the con men who fleeced his runner of the numbers money. He has Luther killed and turns his best men (and women) onto Johnny Hooker, almost killing him, too. What about the third conman, Kid Erie? He is an essential part of the con, as much a part of it as Luther and Hooker. During the setup - just before they fleece him - the numbers runner watches Kid Erie running away. He looks at him, Hooker and Luther in turn. Even if he couldn't identify him he would still be able to inform Doyle that there were three rather than two con men involved. Even so, Kid Erie comes and goes as he pleases. Doyle doesn't have anyone looking for him; he doesn't even mention him in conversation, and in fact consistently refers to two - not three - con men. He makes it clear that he would have to kill his best friend if he even found out about the con, yet he lets one of the central participants go scot free. It doesn't make any sense at all.
Visible crew/equipment: In the last scene where the main character escapes, he jumps into the bay and is supported by a sack which he is carrying. Actually you can clearly see that he is supported from underneath by a diver.
Visible crew/equipment: After Callahan removes the bomb from his mailbox, he looks up at a man on the nearby stairs. As a car drives by on the street, the lights from it cast the shadow of the boom operator onto the wall.
Plot hole: Swapping his dental X-ray records with his deceased partner won't convince anyone that Varrick is dead - then (as now) the patient's name appears on the X-ray.
Visible crew/equipment: In the director's cut, there's a scene where the bar-owner is tied up to the bed. A few seconds before it cuts away, a crewmember's leg can be seen on the left hand side.
Other mistake: In the intense outdoor battle scene at the end, when Bruce kicks a guy in the face three times in a row, one of the extras in the background cracks up laughing.
Revealing mistake: When the Grand Ville turns onto the street where the children are playing, it clips a parked car as it makes the turn. This is the same car that later gets its driver's door ripped off by the Grand Ville just before the police give chase. It was repainted red for the second scene, but note the same dent in the right fender as before.
Continuity mistake: In the final scenes where Sheriff Pusser drives a police car to the Lucky Spot, just before he arrives, in the long shot of him driving down the highway, the patrol car has red lights on it's roof. When he arrives and drives the car through the bar, the car has blue lights.
Factual error: The kid is wearing a Texas Rangers baseball cap. The Rangers didn't come to Texas until 1972.
Continuity mistake: During one of the pool scenes, balls disappear and change position between cuts.
Continuity mistake: Victor Pivert is in full road rage mode as he is waiting at a road stop after skipping most of the line speeding through the emergency lane. As he bickers with his French compatriot, he hammers his horn initially with the right hand, then after a pause he starts hitting it with his left hand in a side view, which turns instantly into his right hand at the cut. (00:08:30)Sammo
Continuity mistake: For the infamous closing scene, a van of drug-runners fire a double-barrelled 12-gauge shotgun straight into the windscreen of Officer Wintergreen's Electra Glide motorcycle, killing him. In the full front view, the gunfire virtually explodes the windscreen, shattering it on all sides all the way to the frame. Camera cuts to a side view and we see Wintergreen topple off as the motorcycle keeps traveling down the road. In this profile shot, the windscreen is no longer exploded, but now has a neat 4-inch hole in it.Charles Austin Miller
Continuity mistake: Flatfoot Rizzo comes out of the door at the top of the building with an agile tumble. The black sailor shoots him but he's out of bullets. In the close-up with the gun that clicks empty, suddenly large shadows appear on his chest, which were not there when he was shooting in the same spot and pose. (00:05:05)Sammo