Agatha Christie's Poirot

The Incredible Theft - S1-E8

Continuity mistake: Poirot is holding up a letter in an envelope. He turns it to show the front to Lady Mayfield. The flap of the envelope appears to be tucked in. The shot cuts to a close-up, but now the back of the envelope is facing Lady Mayfield and the flap is sealed. He then turns the envelope to show her the front. (00:44:20)

paolog

The King of Clubs - S1-E9

Continuity mistake: Ralph Walton flubs the line and breaks character walking off set: he begins undoing his collar. He repeats the same action ('begins' to undo it) next time the camera is on him, and during a cut when he is in frame both shots, his hands jump off/on the collar. (00:04:35)

Sammo

The King of Clubs - S1-E9

Continuity mistake: When the secretary leans in to console "Henry" after Walton has been escorted away, he pins her handkerchief hand to the desk; in the next shot the hand is turned differently and caught in midair. (00:07:45)

Sammo

The King of Clubs - S1-E9

Continuity mistake: As Poirot, holding the family picture, turns around to ask Mrs. Oglander about the kids in the portrait, he suddenly has his finger near the middle of the frame, much higher than before. It keeps going up and down during the conversation. (00:36:40)

Sammo

The Dream - S1-E10

Continuity mistake: When Hastings holds the letter addressed to Poirot from Farley, his left hand goes between shots from the top to the bottom of the sheet, and vice versa. (00:07:35)

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The Dream - S1-E10

Continuity mistake: When Poirot stands as his employer sends him packing, the shadow projected on the back wall is taller than the cupboard by a good margin, roughly from the shoulders up. In the close-up that follows, Poirot is standing in the same spot when he replies "I shall not fail to do so", but the shadow is shortened considerably. (00:14:50)

Sammo

The Dream - S1-E10

Continuity mistake: Poirot gives his enigmatic host a letter; he looks at it and puts it down on the desk. The letter is at an angle, but in the following reverse shot, the letter arranges itself neatly aligned with the registry underneath. (00:15:40)

Sammo

The Dream - S1-E10

Continuity mistake: The story as presented would be impossible. In the story, Poirot tells his audience that the victim was dead at a time which is earlier than the time that he later tells his audience the victim was killed. (00:37:00 - 00:44:00)

The Mysterious Affair at Styles - S3-E1

Plot hole: Can't fault this massive plot hole to the adaptation, but to the source material; the culprit (forgetting the stupidity of writing an incriminating letter detailing the plan to murder someone, and put it in a desk he shares with her) since there are people outside the room that are about to enter, tears the letter in 3 neat vertical strips, rolls them, puts them in the vase on the mantlepiece, and then opens the side door to slip away...instead of simply pocketing the letter and going through that same door. Nobody was going to search him or anything and could have burned it, torn it into confetti, anything, later. It takes way way longer to do what he did, which needed him to stay there in the room increasing the chances of being found out. And of course he and his accomplice do not retrieve the letter after.

Sammo

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Problem at Sea - S1-E7

Trivia: Poirot in the ship's lounge is reading the actual May 1st 1935 issue of Bystander (recognizable by the cover and with the correct page order, does not seem to be a simple movie prop), roughly consistent with the time frame of the first season and a contest taking place on the 14th. (00:07:50)

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The Murder of Roger Ackroyd - S7-E1

Question: The doctor (James) put on a Dictaphone to make the suggestion that Roger Ackroyd was alive at 21:30 hrs. But how could he know that someone (Paton) would pass the door of Ackroyd's study at precisely that moment?

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