So Long, Patrick Henry - S1-E1
Visible crew/equipment: Kelly and Scott are being chased by Red Chinese agents and run up a flight of steps, passing two big studio light panels. When the bad guys run past the same place in the next shot, the panels are gone. (00:22:15)
Carry Me Back to Old Tsing-Tao - S1-E3
Continuity mistake: As they speak to the old man in the cottage, Kelly's hands alternate from being hidden below the table's edge to resting on top of the table several times between takes. (00:08:30)
Carry Me Back to Old Tsing-Tao - S1-E3
Audio problem: During Scott and Kelly's conversation at the bistro table, so much equipment noise is picked up by the mike that portions of the dialog are drowned out. (00:11:20)
Carry Me Back to Old Tsing-Tao - S1-E3
Continuity mistake: The three bad guys are standing over Scott and Kelly after beating them up and stealing the gold. When the shot cuts to an alternate angle, all three of them instantly change positions. (00:21:00)
Continuity mistake: At about 31 minutes, Robert Culp and Bill Cosby climb out of the water completely soaked. They are called over to a boat and run up one flight of stairs and down another and when they reach the boat, their clothes are completely dry and pressed. (00:31:00 - 00:34:00)
Continuity mistake: During the interrogation, Manolo's coat sleeve is torn at the seam. But when he leaves the room, the sleeve has no tear. (00:11:45)
Continuity mistake: After she's been roughed up by the bad guy, Jean's hair is a mess. But while she's talking to Scott and Kelly, her hairdo repairs itself between takes, becoming neatly combed, sprayed and coiffed again. (00:26:15)
No Exchange on Damaged Merchandise - S1-E9
Visible crew/equipment: During the opening sequence, the bad guys' red Ford Galaxy reflects a bank of studio lights when the door is opened. (00:03:30)
The Barter - S1-E16
Audio problem: When Scott tells the Tokyo police that two kidnappers are locked in the van, we hear his voice, but his lips aren't moving. (00:42:00)
Continuity mistake: Kelly puts Scott's red sweater on a stick dummy to fool the sniper, who promptly shoots a hole through it. But after Scott puts the sweater back on, the bullet hole completely disappears. (00:30:20)
It's All Done with Mirrors - S1-E27
Revealing mistake: During Scott and Kelly's scuffle in the restaurant, the stunt men's faces are visible several times. (00:27:25)
It's All Done with Mirrors - S1-E27
Continuity mistake: During Scott's conference room briefing, one of the government officials instantly changes seats between shots. (00:27:40)
Continuity mistake: Throughout his long trek through the jungle, the stains on Kelly's t-shirt change position, disappear and reappear repeatedly between shots. (00:38:10)
Continuity mistake: An American spy in the process of bugging a hotel room is stabbed by a Russian spy. But immediately afterward, as well as later when he's found, there is no blood visible on his white shirt or on the carpeting. (00:18:05)
Revealing mistake: In the final chase scene, the substitution of a stunt double is noticeable when Malachi Throne's character suddenly acquires considerably more hair. (00:40:10)
To Florence, with Love (1) - S2-E11
Continuity mistake: At the Florence train station, the luggage on the cart that surrounds the painting changes positions between shots, even though no one's touched it. (00:12:20)
To Florence, with Love (1) - S2-E11
Continuity mistake: Maria the chamber maid is sitting down when Scott and Kelly start questioning her. But when the shot cuts, she's suddenly standing up. (00:33:30)
Rome ... Take Away Three - S2-E16
Audio problem: Scott and Kelly are talking as they wait to cross a Rome street - but Kelly's lips are completely out of sync with his voice. (00:07:20)
Rome ... Take Away Three - S2-E16
Revealing mistake: Kelly finds Tilde dead on her couch. But when he touches her, the "dead" woman's eyelids twitch. (00:37:05)
Rome ... Take Away Three - S2-E16
Continuity mistake: At the end, an overhead shot of Scott and Kelly shows them at the bistro table seated more than a foot apart. When we cut to a ground level shot, however, they're shoulder-to-shoulder. (00:45:15)
