Starring: Barbara Bain, Greg Morris, Peter Graves, Peter Lupus
Genres: Action, Adventure, Drama, Thriller
Trek - S2-E2
Visible crew/equipment: During the prison escape, as Phelps and Cole are stealing the car, a microphone can be seen above them, hanging more than a foot into the shot. (00:18:20)
Operation Rogosh - S1-E3
Visible crew/equipment: At the end, the wind-wing glass on the Rolls Royce briefly reflects part of the camera crew when the car door is opened. (00:47:40)
Kidnap - S7-E11
Visible crew/equipment: The surface of Casey's shiny red van shows us the entire film crew, along with several lights and reflector panels. (00:17:00)
Squeeze Play - S5-E12
Visible crew/equipment: When Carlos confronts Dana about the gold watch, the microphone shadow can be seen moving on the wall above him. (00:30:15)
Gitano - S4-E18
Visible crew/equipment: When the dignitaries' limo pulls away, its doors mirror several studio lights and reflectors. (00:34:15)
A Game of Chess - S2-E17
Visible crew/equipment: When Phelps is in the phone booth getting his assignment, the camera can be seen reflected in the booth's glass door. (00:01:10)
The Astrologer - S2-E13
Visible crew/equipment: In the final scenes at the airport, the camera crew and lighting panels are reflected in both the limo door and the sides of the white panel truck. (00:48:20)
Charity - S2-E10
Visible crew/equipment: The fire on the bed is contained within a small space by a visible asbestos pad. (00:21:45)
The Council (1) - S2-E11
Visible crew/equipment: When Phelps and Barney shove Frank into the back seat of the car, the door captures a clear reflection of the camera crew. (00:36:20)
The Bank - S2-E4
Visible crew/equipment: When Barney is in the vault, the clear plastic casing covering his circuit board reflects the studio light panels. (00:41:30)
Old Man Out (1) - S1-E4
Visible crew/equipment: When Rollin leaps from the prison wall, the stunt man is apparent: he's shorter and more muscular and his hair is a different color. (00:26:10)
Visible crew/equipment: When Cinnamon visits Rollin in the prison, an equipment shadow is moving on the wall behind her. (00:39:30)
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Voice on Tape: Good morning Mister Phelps.
Phelps takes the tape from the recorder's right-hand spindle. When he opens the acid vat, we can see the tape he just removed back on the recorder - but on the left spindle. The tape he then drops into the acid doesn't remotely resemble the one he pulled, and when he drops it, the recorder's left spindle, where the full tape was in the last shot and where the empty reel should be, now has nothing on it at all.
Throughout season one, the stack of photographs Briggs peruses in selecting his mission team includes one of a man in black-rimmed glasses. It's a shot of the show's creator/producer, Bruce Geller.