Night Gallery

Midnight Never Ends - S2-E20

Continuity mistake: After the marine is shot by the police officer, his body is lying flat on his back. The following scene of the marine's body has the body lying on its right side in an almost fetal position.

Scott215

Cool Air - S2-E35

Continuity mistake: Agatha opens the restroom door form the outside and it opens inside to the left. The inside view of the restroom shows Agatha opening the door to the right.

Scott215

Dr. Stringfellow's Rejuvenator - S2-E28

Continuity mistake: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again. (00:11:30)

Jean G

Cool Air - S2-E35

Continuity mistake: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably. (00:11:50)

Jean G

Cool Air - S2-E35

Continuity mistake: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots. (00:16:15)

Jean G

The Waiting Room - S2-E51

Continuity mistake: It's the 1800s, and Dicter rides up to a building that has every window, upstairs and down, blazing with what is obviously electric light. When he walks into the ground floor saloon, however, there are no bright lights. It's dark and dim inside. (00:03:00)

Jean G

Logoda's Heads - S2-E42

Continuity mistake: As Kyra is leaving the village, Logoda's fang necklace, in close-up, has two of its teeth flipped over and out of alignment with the rest. In full shot, though, all the teeth are back in perfect order. (00:09:10)

Jean G

More mistakes in Night Gallery

Rod Serling: For those of you who've never met me, you might call me the under-nourished Alfred Hitchcock.

More quotes from Night Gallery

Camera Obscura - S2-E36

Trivia: The closing scenes were shot through green-gold filters to give the streets a drab, hellish appearance. An appalled film lab technician tried to dye the sequence pink, and defied the director's order to "leave it green." NBC, the lab tech argued, would never accept those scenes because this was supposed to be color television. After demanding several re-dos, the director won the shouting match, the green prevailed, and NBC, apparently, never noticed.

Jean G

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