Night Gallery

Midnight Never Ends - S2-E20

Continuity mistake: After the marine is shot by the police officer, his body is lying flat on his back. The following scene of the marine's body has the body lying on its right side in an almost fetal position.

Scott215

Cool Air - S2-E35

Continuity mistake: Agatha opens the restroom door form the outside and it opens inside to the left. The inside view of the restroom shows Agatha opening the door to the right.

Scott215

Dr. Stringfellow's Rejuvenator - S2-E28

Continuity mistake: In the saloon, Stringfellow pours himself a drink and picks up his glass. When the camera angle reverses, his glass is back on the table and his hand is on the bottle instead. In the next shot, he's holding the glass again. (00:11:30)

Jean G

Cool Air - S2-E35

Continuity mistake: During Juan and Agatha's dinner together, the camera circles them, passing behind Juan (where an "invisible" cut occurs) and continuing to move left around the table. Between the two segments, the position of Agatha's hands changes noticeably. (00:11:50)

Jean G

Cool Air - S2-E35

Continuity mistake: While she talks to Mrs. Gibbons on the stairs, Agatha's paper sack changes its position and appearance several times between shots. (00:16:15)

Jean G

The Waiting Room - S2-E51

Continuity mistake: It's the 1800s, and Dicter rides up to a building that has every window, upstairs and down, blazing with what is obviously electric light. When he walks into the ground floor saloon, however, there are no bright lights. It's dark and dim inside. (00:03:00)

Jean G

Logoda's Heads - S2-E42

Continuity mistake: As Kyra is leaving the village, Logoda's fang necklace, in close-up, has two of its teeth flipped over and out of alignment with the rest. In full shot, though, all the teeth are back in perfect order. (00:09:10)

Jean G

The Cemetery - S1-E1

Continuity mistake: From the inside view of the window the Hendricks gravestone and the family name is visible on it. From the outside view of the window the gravestone and the Hendricks are facing away from the window.

Scott215

More mistakes in Night Gallery

Rod Serling: Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collectors' item in its own way - not because of any special artistic quality, but because each captures on a canvas, and suspends in time and space, a frozen moment of a nightmare.

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