The Cemetery - S1-E1
Continuity mistake: From the inside view of the window the Hendricks gravestone and the family name is visible on it. From the outside view of the window the gravestone and the Hendricks are facing away from the window.
The Cemetery - S1-E1
Continuity mistake: After Jeremy wheels Mr. Hendricks to the window, Hendricks' right arm moves up to his face. The next shot Hendricks' arm moves up again to his shoulder.
Continuity mistake: When the derelicts discover the medical bag in the alley, a blue sedan parked in the background disappears and reappears repeatedly throughout the scene. (00:06:30)
Visible crew/equipment: When the Chrysler 300 convertible pulls up in front of the haunted house, the camera crew and several light panels are reflected in the car's door and side. (00:03:00)
Continuity mistake: After she leaves the sanitarium, Elaine's long blonde hair is blowing wildly in the wind as she drives. In the next shot, with no time for her to have combed it, her hair is neatly coiffed again. (00:10:00)
Clean Kills and Other Trophies - S1-E12
Visible crew/equipment: The boom mic's shadow is visible on the back wall as Archie Dittman. Jr. descends the staircase.
Continuity mistake: When the ship's captain is questioning the survivor, the man is sitting up with the iron bedstead behind him. When the shot cuts, he's suddenly lying flat with his head on the pillow.
They're Tearing Down Tim Riley's Bar - S1-E17
Continuity mistake: When William Windom comes into his office, we see a stone wall in the background, with a wall clock, a painting and a credenza, but when Bert Convy comes in through the same door later, the background is completely different. And again, when William Windom leaves his office after he's been fired, the background has changed again. (00:03:30 - 00:07:10)
They're Tearing Down Tim Riley's Bar - S1-E17
Continuity mistake: When Randolph Lane swivels in his chair, his hair changes from slightly mussed to disheveled.
Continuity mistake: The shots of Doran from his left rear shows him a couple feet away from the wall while frontal shots show him backed up against the wall.
Since Aunt Ada Came to Stay - S2-E9
Continuity mistake: When she leaves the campus, Joanna gets wet running through the rain to her car. Just minutes later, she arrives home completely dry and with her hair neatly coiffed again. (00:27:10)
Since Aunt Ada Came to Stay - S2-E9
Visible crew/equipment: Before Craig finishes speaking with Joanna and puts the car in reverse, a set crew member in a blue shirt is seen in the driver's side mirror.
Visible crew/equipment: While the janitor works on Justice's thermostat, a large piece of blocking tape can be seen on the carpet in front of the door in the background. (00:09:15)
Visible crew/equipment: Set lights are reflected in the metallic parts of Malloy's flashlight.
Other mistake: After Malloy shoots himself his hand does not drop the gun onto the table. Instead, his hand places the gun on the table then his fingers gently shoves the gun out of his hand.
Continuity mistake: Malloy places his flashlight on the floor about a foot and a half away from the door and at an angle. When he opens the door, the flashlight is now right up against the door and directly perpendicular to it.
Continuity mistake: A brick being shoved into place attracts Malloy's attention. The mortar is not neat and tidy, wet, and the bricks are slightly askew. When Malloy turns to face the brick wall, the mortar is neat, dry, and the bricks neatly laid.
Continuity mistake: The size of the matchstick being consumed by the flame varies size as Malloy lights the candles.
Continuity mistake: The shape and number of blood spots on Malloy's left hand change instantly after dripping on him.
Continuity mistake: It is daylight at the front door before Colonel Malloy enters the haunted house, but pitch black when he opens the door and enters.
