The Man From U.N.C.L.E.

The Waverly Ring Affair - S2-E19

Visible crew/equipment: When Solo enters the scanning room, the shadow of the boom assembly sweeps down the wall on the right side of the door.

00:07:40

Jean G

The Birds and the Bees Affair - S2-E18

Visible crew/equipment: The shadow of someone who's not in the shot intrudes on the right side of the screen as Solo exits the communications room and enters the corridor.

00:02:15

Jean G

The Very Important Zombie Affair - S2-E15

Visible crew/equipment: Captain Ramirez's car has a flat on a dirt road in the middle of the jungle. But on his car door, there's a clear reflection of a big square studio reflector and four klieg lights.

00:23:00

Jean G

The Bridge of Lions Affair (2) - S2-E21

Visible crew/equipment: During his fistfight with the burly body guard outside Sir Norman's estate, Illya's stunt double's face is visible in profile.

00:40:15

Jean G

The Round Table Affair - S2-E27

Visible crew/equipment: As the bus door is pulled shut at the end, the glass in its window captures the reflection of a big round studio light.

00:45:10

Jean G

The Dippy Blonde Affair - S2-E16

Visible crew/equipment: While Solo is reading Jojo's arrest record to her, the shadow of a film crew member's hand moves on the wall at the lower left of the screen.

00:14:15

Jean G

The Very Important Zombie Affair - S2-E15

Visible crew/equipment: When Solo and Illya move across the room to answer the door, the shadow of the boom can be seen moving in the mirror on the left.

00:13:05

Jean G

The Waverly Ring Affair - S2-E19

Visible crew/equipment: After George's hypnosis and brainwashing are complete, the boom slips into the shot at the upper right corner of the screen.

00:12:10

Jean G

The Moonglow Affair - S2-E23

Visible crew/equipment: During Arthur's argument with his sister over the guest list, the boom shadow moves across the wall at the upper left of the screen.

00:13:45

Jean G

The Deadly Goddess Affair - S2-E17

Visible crew/equipment: When Hubris and his henchmen leave Narouz's bistro, the boom shadow is lurking on the block wall at the lower right.

00:20:45

Jean G

The Arabian Affair - S2-E7

Visible crew/equipment: In the sand dune fight in the teaser scene, Illya's stunt double's face is viewable as he jumps on his attacker and rolls down the slope.

00:03:25

Jean G

The Project Deephole Affair - S2-E26

Visible crew/equipment: When Waverly and Solo walk from the office into the corridor at U.N.C.L.E. HQ, part of the camera rig is showing, moving ahead of them, at the bottom right of the screen.

00:06:45

Jean G

The Waverly Ring Affair - S2-E19

Visible crew/equipment: When Carla enters Waverly's office, both the boom mike and its shadow are prominently visible at the top of the shot.

00:04:30

Jean G

The Batcave Affair - S2-E28

Visible crew/equipment: When Zark uncovers the caged bat and shows it to Illya, the shadow of the boom mike sweeps across the back wall.

00:33:30

Jean G

The Foxes and Hounds Affair - S2-E4

Visible crew/equipment: In the cell, as the camera pans across to Solo at the door, the shadow of someone's hand slapping a large, rectangular shape can be seen on the wall.

00:34:00

Jean G

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Quotes

Napoleon Solo: My name is Napoleon Solo. I'm an enforcement agent in Section Two here. That's operations and enforcement.
Illya Kuryakin: I am Illya Kuryakin. I am also an enforcement agent. Like my friend Napoleon, I go and I do whatever I am told to by our chief.
Alexander Waverly: Hmm? Oh, yes. Alexander Waverly. Number One in Section One. In charge of this, our New York headquarters. It's from here that I send these young men on their various missions.

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Mistakes

Solo blows open the ceiling vent of Illya and Marion's cell, and she stands on Illya's shoulders until Solo can reach her and pull her out. This leaves Illya with nothing/no one to stand on, no way to reach the vent and no apparent way out of the cell. But he's out just the same in the next scene, with no explanation as to how.

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Trivia

"The Man From U.N.C.L.E.'s" original working title was "Solo," and its lead character was named for a spy with a minor role in one of Ian Fleming's early Bond novels. U.N.C.L.E. producer Norman Felton had a handshake agreement with Fleming to use the name and to develop "Solo" as a TV spy series. But the Bond film franchise had other ideas, reneged on the agreement on Fleming's behalf, and sued, forcing the title change. Felton prevailed only in retaining the character's name: Napoleon Solo.

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