The Andy Griffith Show

Opie's Piano Lesson - S7-E26

Visible crew/equipment: When Clara and Opie first sit down at the piano to begin the piano lesson, note there's nothing on the floor behind them. Then that shot cuts to the end of the lesson as the camera pulls back for a wideshot, and now there are two tape marks on the floor near the door in the area where Opie and Aunt Bee will be standing shortly. (00:04:15)

Super Grover

The Andy Griffith Show mistake picture

The Taylors in Hollywood - S6-E8

Revealing mistake: While Andy, Aunt Bee, and Opie are at the Hollywood studio watching a scene being filmed, when Andy mistakenly stands up and interrupts the filming we can see the wall and shelves behind the director, and it should look familiar because it's the wall and shelves from Floyd's shop in Mayberry.

Super Grover

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Opie's Group - S8-E9

Andy: Clara, sometimes a parent can't see what he should do, and sometimes it takes a person from the outside to show him. And I'd like to thank you.
Clara: Groovy.

Super Grover

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Trivia: In Walker's Drugstore, among all the magazines by the wall there's a TV Guide magazine (from Oct 9, 1954) on the shelf, and on its cover is Lucille Ball the co-owner of Desilu Productions - which produced TAGS, and also filmed at Desilu Studios.

Super Grover

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The Darling Baby - S5-E12

Question: Why is it when they were on the show the Darling sons never spoke? Would they be paid more if they did, or was this some sort of joke?

Rob245

Answer: It was a joke. They were supposed to be dumb hillbillies.

Both. According to later interviews with both Andy and the Dillards band (the real name of the band that played the parts of the Darling children, of which Charlene (Maggie Peterson - Mancuso was also a member) the reason the Darling boys never had any lines was because they would've had to have been paid if they spoke. In return for appearing without lines or pay, Andy promised to get as much of their music onto the show as possible which, he did. This obviously gave them a lot of exposure.

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