Continuity mistake: There appears to be a very obvious splice edit in this episode. When Basil manages to get Kurt off him after being pinned to the kitchen table, he pushes Kurt against the wall knocking him out. Before this Basil is lying flat on the table and we never see him get up to a standing position beforehand.
Continuity mistake: When Basil is driving home the second time, he is turning into a street where a van is parked. When he turns the street is dry. In the next scene where he is backing away from the van, the street is all wet.
Add timePer Mikkelsen
Continuity mistake: When Basil's car breaks down for the final time after reversing away from the van, watch closely on the garden path of the house right next to the car. The garden gate is open, and you can see it swing shut (look at the black shape just above the hedge) just as Basil says "One, two three." The gate was shut when he first reversed around the corner, but was open again after the shot cuts back to the car (after it's moved to the right along the pavement).
Continuity mistake: Towards the end of the episode, a couple of scenes before Mr Stubbs arrives, we see Basil start up the tape player prior to hiding in the kitchen. The garden gnome on the desk is right next to the tape player at this point. When Sybil turns the tape off the player has rotated 45 degrees or so (despite nobody else having come into reception in the intervening time) and the gnome is now further along the desk towards the camera as we look on the wide shot. The gnome in the next shot is seen beside the checking-in book when Basil wanders out of and back into the office a couple of scenes later, yet when Mr Stubbs is asking about the lintel for the new door shortly after that and we see Sybil writing in the book, the gnome has moved out of shot altogether.
Add timeNeil Jones
Continuity mistake: After hitting O'Reilly, Sybil goes to the desk and grabs the phone. In the first shot, Sybil grabs the phone with her right hand, she puts it next to her ear and then put her left hand on the microphone. She turns her back to Basil and O'Reilly. In the next shot, the phone has not been put next to the ear yet, while Sybil's left hand is not on the microphone but on the cable.
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