Seinfeld

The Susie - S8-E15

Continuity mistake: Towards the end of the episode, it transitions between the Yankee ball at night and "Susie's" wake which is during the day.

The Chicken Roaster - S8-E8

Continuity mistake: When Kramer spills the tomato juice all over Jerry's walls, he grabs a light colored oven mitt to wipe it off. In one shot he wrings out the sopping mitt over the juice pitcher. When the shot changes and he tosses the mitt back onto the counter, the mitt is still the original color with no hint of red stains.

Steph_Jared

The Soul Mate - S8-E2

Continuity mistake: When George is in the boardroom, he places his briefcase on the conference table, and opens it, with the top leaning against a carafe. As George yammers on, the briefcase is closed in a couple of shots, and then open again for the rest of the scene.

Super Grover

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The Fatigues - S8-E6

Continuity mistake: At the start of the episode, Cynthia is drinking a glass of wine. While speaking near the end of the scene, she is holding the glass in her right hand and says, "You know, guides you in your career path." The next shot is of Jerry and instantly the glass has disappeared from her hand with her right hand resting on the table. You can also see the glass is closer to her left hand now.

Lummie

The Little Jerry - S8-E11

Continuity mistake: When Celia breaks out of prison and comes to George's apartment, George opens the door and starts talking with her. After George says "And you decided to pop in" the shot shows Celia but the door has now closed behind her. It would have been impossible to close without us seeing it because Celia would have had to have moved forward to close the door.

Lummie

The Chicken Roaster - S8-E8

Continuity mistake: Due to the effect of the red glow on Kramer's eyes, he confuses the pitcher of tomato juice from Jerry's refrigerator for a pitcher of milk, pours it into the cereal, then gags and promptly tosses the contents of the bowl into the trash beside the fridge. In the close-up he tries to wipe some of it off the wall, but there's still a huge red mess left on the wall, in the trash, etc. In the next wide shot of Jerry and Kramer, the trash and wall are spotless.

Super Grover

The Soul Mate - S8-E2

Continuity mistake: George has constructed a model of the boardroom when his briefcase was destroyed. Jerry thinks George should be represented by the Yellow M&M figure. When the camera shows a close up of the figure, Jerry is holding it in a different position than the far away shots.

Ral0618

The Muffin Tops - S8-E21

Continuity mistake: In the final scene where Newman is going to eat the bag of muffin stumps, Newman removes the bottles of milk and then takes a bite out of his muffin. He then takes a drink from the glass but he never filled the glass with milk in the first place.

The Abstinence - S8-E9

Continuity mistake: In one scene George is solving a Rubik's cube in Jerry's apartment. When he leaves, he places the cube on Jerry's kitchen counter, and it is in the middle of the counter with the red color facing out. In the very next shot, it is moved much closer to the far edge of the counter and the color facing out has changed.

The Money - S8-E12

Continuity mistake: We find out George's parents sleep in separate beds. His father says "Thirty years ago we came to an agreement. It was the only way I could get some rest. Estelle's got The Jimmy arms." This contradicts S5E10, "The Cigar Store Indian", when George's parents come back from their trip, Estelle finds a condom wrapper in "our bed." Also Frank asks George, "You were having sex on our bed?", and Estelle follows by saying, "Who told you you could have sex in our bed?!" (00:16:50)

The Foundation - S8-E1

Continuity mistake: While Jerry calls George from the coffee shop to tell him about the survey question, there is a shot of the waitresses and staff sitting at the tables. Behind them you can see the booths the gang usually sits at and there is a wall right next to the booth with pictures and pipes. Only problem is there are always booths next to the two near the front entrance. Even in this episode you can see the other booths as there are menus, condiments and napkins at the booths next to the regular booths.

Lummie

The Susie - S8-E15

Continuity mistake: When Mike accuses Jerry of murder at Susie's wake, watch the people behind and around Jerry. There are women either side of Peggy, turning around, looking surprised and moving their hands. The next shot, we see Jerry from behind his seat, and everyone has instantly changed to sitting perfectly still, looking ahead with their hands still.

Lummie

The Nap - S8-E18

Continuity mistake: In one scene George's desk is placed with room to walk all around. When Steinbrenner walks into George's office, the desk is pressed against the wall and office looks smaller. (00:18:54)

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The Money - S8-E12

Continuity mistake: The exterior of the video store in the episode looks different from the interior. From the inside, we see a neon "open" sign on the window and other writing, and also no exit sign on the door, all of which is contrary to the outside view of the store. (00:09:25)

Mechanic1c

The Dog - S3-E4

Character mistake: When George and Elaine go to the coffee shop after The Movie without Jerry, they establish that Elaine moved to NYC in 1986. Then they make fun of the way that Jerry throws up; both imitating Jerry. The "Dinner Party" episode is after the "The Dog". In the "Dinner Party" episode, Jerry brags that he hasn't thrown up since June 29th, 1980. The black and white cookie ended this streak. Elaine would not have been around to see this, not arriving in NYC until 1986.

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Trivia: No matter who the characters in Seinfeld call, they never have to look up the phone number in the phone book. They have the phone numbers to every restaurant, hotel, and business memorised.

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Answer: Composer Jonathan Wolff used a synthesizer, although in seasons 7-9, a real bass is used in addition. Wolff also recorded himself making hundreds of mouth noises, pops, and slaps to add to the synthesized bass licks so that each episode has a different theme. The only real "back-story" is Jerry Seinfeld was having trouble coming up with a theme song and talked to a friend who happened to know Wolff. They wanted to avoid that cheesy late 80's sit-com theme song and Wolff came up with what we enjoy now. Jonathan Wolff has also talked about this further in interviews, recently Reed Dunela interviewed him, so for a fuller account of his story; check out "The Wolff of 116th street".

Bishop73

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