Super Grover

17th Nov 2003

The Art of War (2000)

Continuity mistake: When Anne Archer and Donald Sutherland are talking in the back seat of the car, the direction of traffic on Anne's left changes back and forth (they haven't made any turns). Also, a city bus is pulled over at the curb, facing the opposite direction of traffic and the parked cars. (00:13:05 - 00:14:00)

Super Grover

17th Nov 2003

The Art of War (2000)

Continuity mistake: Wesley Snipes kicks out the driver's side window of the car that's trying to slam into him. Having shot out the back left window earlier, both left windows should now be gone. As the car veers away from Snipes in the next shot, both windows aren't smashed. Then, in the next shot the two left side windows are gone. (00:40:30)

Super Grover

17th Nov 2003

The Art of War (2000)

Revealing mistake: The young Asian driver of the car was shot in the head by Snipes, and is very dead. As Snipes is trying to escape from the car by crawling out the back left window, the older Caucasian stunt guy is driving the car - with his very open eyes. (00:39:40)

Super Grover

17th Nov 2003

The Art of War (2000)

Revealing mistake: There are supposed to be two dead young Asian males sitting in the back of the car, but in this shot, it is so obvious that there are two dead 'dummies' riding in the back. Also, in the crash, a few seconds later, very blatant dummy heads are flying everywhere. (00:40:40)

Super Grover

17th Nov 2003

The Art of War (2000)

Continuity mistake: As the bomb in the car is exploding, the shot from inside the diner has the windows of the diner shatter, but in the next 2 shots outside the diner, the windows are fine and intact. Seconds later, when Snipes steals the blue car, pulls around the corner and passes the diner, that shot shows the glassless windows. (01:06:40)

Super Grover

3rd Sep 2002

The Art of War (2000)

The Art of War mistake picture

Visible crew/equipment: When Wesley is in the interrogation room with the 2 way mirror, as the camera pans around the room the reflection of the camera and the crane it's mounted on, and even a crew member, are all perfectly visible in the mirror. (00:33:25)

Super Grover

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