Charles Austin Miller

8th Nov 2019

Common mistakes

Factual error: An especially stupid but common blunder in film and TV over the decades involves a character picking up a random object from nearby and bashing a heavy padlock and steel chain a few times until the lock and chain break and fall away. Of course, steel chain and heavy padlocks are designed to withstand tons of stress that a human being couldn't possibly exert through striking alone.

Charles Austin Miller

12th Jan 2019

Common mistakes

Deliberate mistake: Rather than gradually exploring character backgrounds as the story unfolds, characters in cheesier movies awkwardly rush to reveal whole biographies in just a couple of lines, right at the beginning of the film. Such an unlikely conversation might go like this: "I'm the luckiest girl in the world, married to the lead developer and system analyst of NASA's most ambitious interplanetary program ever"; and the husband replies, "Well, it helped that your father created the program and took a chance on me after that Wall Street computer-hacking scandal six years ago." There's no subtlety at all, it's just fast-food character development.

Charles Austin Miller

27th Dec 2018

Common mistakes

Stupidity: Ground troops armed with semi-auto handguns, automatic rifles and even heavy artillery just keep wasting ammo, barrage-after-barrage, magazine-after-magazine, against giant robots and monsters 100 feet tall, long after it becomes obvious that the weapons have zero effect. This is an ongoing stupidity dating back to some of the earliest giant monster movies, and is still seen in giant monster and superhero films today.

Charles Austin Miller

Upvote valid corrections to help move entries into the corrections section.

Suggested correction: Surely in the face of a no-win scenario, doing something that may or may not work is better than doing nothing and awaiting your doom. They would be doing everything they could to stop the enemy in the hopes of saving lives. Even if it takes every last round of ammunition, it may eventually be enough to wear down the monster / robot etc.

I hate to disagree. I think one of the best examples is the latest Godzilla movie where they keep firing their hand guns on it knowing it would be better to just get out, there was absolutely no point to do that. Same goes for Man Of Steel.

lionhead

Agreed. Even in a no win situation, why waste ammunition and time firing on a target that impregnable when you could be doing more to evacuate and save lives.

Ssiscool

In everything from old Godzilla movies to modern superhero and kaiju flicks, we see military forces line up and throw every bit of small arms and heavier artillery they have at the giant monsters or giant robots, with zero effect. The military always retreats, regroups, then lines up and wastes all their ammunition again, as if they learned absolutely nothing from the first experience.

Charles Austin Miller

In a no-win scenario, you beat a hasty retreat and live to fight another day, hopefully better armed and better prepared next time. You don't hold your ground, futilely trying to bring down a giant monster the size of a Hilton Hotel with small arms fire.

Charles Austin Miller

It's strange because I can understand why filmmakers still do this, even though it makes little sense. They are trying to show that the monster, robot, whatever is unstoppable by conventional means and honestly I don't know how you would do that without these kinds of scenes. Even though they are dumb. It's extra dumb to me when you hear the General yell "Stand your ground, men!" or something like that. Or when the cop runs out of bullets and throws his gun.

BaconIsMyBFF

I've seen too many scenes where they keep shooting, apparently to no avail, BUT there is always the chance that hitting the "monster" in a certain spot could get it to retreat. Instead of just continuing to rapidly fire with the general intent of hitting the monster, it would make much more sense to focus on a possible soft spot, such as an eye. The "just keep firing" mentality does fall under "stupidity." The military should be using a strategy that is rational, and emptying machine guns isn't.

KeyZOid

17th Dec 2018

Common mistakes

Deliberate mistake: Particularly in space-fantasy and science-fiction movies and television series, electronic control panels and components erupt in a shower of sparks when overloaded (as during space battles, collisions and technological failure scenes). Such furious sparking has been used in numerous futuristic films and TV shows dating from the mid-20th Century right up to the present. Of course, this sparking effect is intended to add "gee whiz" action and spectacle to otherwise mundane shots. But the implication is that advanced, futuristic technology idiotically neglects to incorporate electrical fuses or circuit breakers, which are designed to prevent equipment sparking and meltdown during power overloads. In reality, all of these control panels and electronic components should instantly and safely go dark and stop functioning as soon as the breakers are quietly tripped or the fuses are quietly blown.

Charles Austin Miller

17th Dec 2018

Common mistakes

Character mistake: Mainly in Old West films, actors who are portraying barbers very frequently sharpen their straight-razors the wrong way, flipping the blade with its sharp edge against the strop. This would instantly dull and damage the razor's edge. No real barber would make such a clumsy mistake, but it's a common movie error.

Charles Austin Miller

21st Oct 2018

Common mistakes

Deliberate mistake: Characters who are being pursued on foot frequently hide in plain sight of their pursuers. You see characters (typically the "good guys") duck around the corner of a building, or a tree, or some other obstacle, where they freeze and glance over their shoulders to watch their oblivious pursuers (typically the "bad guys") wander past just a few feet in the background. Nevermind the fact that the good guy's body is only partially concealed by said obstacle, or not concealed at all. This is an old film-making trick intended to heighten audience tension, even though it is totally illogical.

Charles Austin Miller

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