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E. Peterbus Unum - S2-E18

Continuity mistake: After Robert E. Lee loses the drinking contest to Griffin, he sets his mug down and it is under half full. In the next shot, suddenly it's about three-quarters full. (00:10:08)

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E. Peterbus Unum - S2-E18

Continuity mistake: In the Can't Touch This parody song with Peter, he chains Joe to the back of the truck with a chain. Between shots, the handle of the door changes from grey to a silvery white, the chain itself changes from grey to black, and the panels under the chain and handle go from grey to a darker bluish-grey colour. (00:11:45)

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E. Peterbus Unum - S2-E18

Revealing mistake: After Peter's encounter with Mayor West, we have the family standing next to the sidewalk in their front yard. Lois walks up holding Stewie, and now you can see there is a perspective error in the animation as next to Lois the mailbox looks comically small, barely big enough to put a stapler in. (00:08:11)

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E. Peterbus Unum - S2-E18

Continuity mistake: When Peter walks in the front door with his tax refund, he does not shut the door after approaching the family on the couch. Yet moments later, when Peter goes to sit down, the door has shut all by itself. (00:02:34)

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E. Peterbus Unum - S2-E18

Continuity mistake: When Peter sits down at the desk in the IRS office, there is a pen and what appears to be a business card on the corner of the desk next to where he’s sitting. After Miss Stratford says she farted, it cuts to a frontal angle of Peter, and suddenly the pen and business card have disappeared. (00:03:07)

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E. Peterbus Unum - S2-E18

Continuity mistake: After the IRS visit, Peter is digging a hole in his back yard for a pool. His kids are standing around at the edge of the hole watching. When it cuts to a close-up of Stewie, he's suddenly standing much closer to the hole. (00:04:18)

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E. Peterbus Unum - S2-E18

Continuity mistake: Peter enters Adam West's office, and the words "Adam West Mayor" are on the door. Adam West then tackles Peter to the ground and starts punching him in the next shot. During that moment, part of the letters are still seen, and the "OR" at the end of "MAYOR" is noticeably much smaller, and the "R" is a different shape. (00:06:45)

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E. Peterbus Unum - S2-E18

Continuity mistake: In the cutaway gag after Peter says he thought about selling his body to science, there is his skeleton in a classroom hanging up. The teacher asks a girl to come up to it, and between shots, the stand his skeleton is hanging on moves much closer to the wall and corner of the room behind it. (00:01:03)

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E. Peterbus Unum - S2-E18

Continuity mistake: At the IRS, when Peter walks into Stratford's office there is no light switch beside the doorway, but a 3-gang rocker light switch appears in following shots. (00:03:02)

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He's Too Sexy for His Fat - S2-E17

Continuity mistake: Once Peter comes home with hunky muscles, Lois starts pushing the kids out of the front door. Stewie is in a wagon beside the threshold of the door, and he turns his head to look at Lois next to him as she pushes Chris and Meg outside. In the next shot, suddenly Stewie is now directly in front of the door, with Lois in front of him, and his head has turned again. (00:15:50)

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He's Too Sexy for His Fat - S2-E17

Continuity mistake: When Lois is pushing the kids out the front door before she tackles a muscular Peter to the couch, the table next to their front door has vanished. Then in the next shot as she's kicking the door closed, the table is back. (00:15:10)

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He's Too Sexy for His Fat - S2-E17

Continuity mistake: When Lois is pushing the kids out the front door after Buff Peter arrives, the distance between the couch and the wall has increased drastically. (00:14:20 - 00:15:15)

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He's Too Sexy for His Fat - S2-E17

Other mistake: After the cutaway with the lemonade stand not taking credit cards, the episode cuts to an exterior shot of the hotel that the Griffins are now staying in. For a large hotel like that, the parking lot is way too small, showing only two cars in the front with only three visible spots, and one car parked in the street behind the building. Far too few spots and far too few cars considering how many room lights are turned on. (00:05:50)

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There's Something About Paulie - S2-E16

Continuity mistake: In the establishing shot of the Quahog Used Cars dealership, there is just one row of cars in the parking lot. In the very next shot, there's suddenly at least three rows of cars. And more signs appear on the windows. (00:02:00)

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There's Something About Paulie - S2-E16

Other mistake: After the car bomb destroys their new blue car, the groom at the wedding comes out to warn them too late, then runs off. As Peter and Lois are turning around in the next shot to walk, the cars behind them are disproportionally small, with the scaling being off here. (00:21:35)

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There's Something About Paulie - S2-E16

Continuity mistake: When Peter is showing Lois his new car, the first shot shows a car that resembles a VW Beetle. In the next shot, the car resembles a Mercedes CLK. (00:05:15)

There's Something About Paulie - S2-E16

Continuity mistake: As Peter is showing Cleveland his new car, it is in the middle of his driveway. Then, when Peter is getting back out of his car, suddenly it's in the street. (00:06:00)

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There's Something About Paulie - S2-E16

Continuity mistake: When Peter tells Lois he accidentally put a hit out on her after she sees Big Fat Tony dead in the newspaper, the paper is set on the table in front of Peter by a yellow box. During this conversation, the paper and the box keep disappearing or moving positions between shots over and over. Also, Peter's cup disappears in a couple of shots. (00:14:00)

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There's Something About Paulie - S2-E16

Other mistake: Peter follows the mobster to the "pet store" and is standing on the sidewalk when the mobster gets out of his car and goes inside. The street here is comically disproportionately small. So much so that when Peter walks across it, he clears the entire road in two steps. (00:14:40)

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There's Something About Paulie - S2-E16

Continuity mistake: During the taxi cutaway, the guy talking on the mic is in a booth with papers on the walls. The shot cuts to the guy in the white shirt at the table next to it, and suddenly the booth walls and papers are much larger. Also, the paper directly behind this guy goes from only partly covering the wall to nearly covering it fully and being end to end. (00:01:30)

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