Ssiscool

Shabbat Shalom - S10-E11

Continuity mistake: When DiNozzo and Gibbs are trying to work out who the man in the hat is, Tony has the clicker up by his chest in one shot and lowered in the following shot. (00:27:30)

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Shabbat Shalom - S10-E11

Continuity mistake: During the interrogation, DiNozzo holds up the petty officer's ID vertically and asks a question. When the shot changes, DiNozzo is holding it lower and now horizontally. (00:09:05)

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Devil's Trifecta - S10-E9

Continuity mistake: When McGee tells Sterling, the joke is over. Sterling's hands and the items in the changes from the rear and front camera angles. (00:32:30)

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Devil's Trifecta - S10-E9

Continuity mistake: When Agent Sterling shows DiNozzo her badge, the way she holds it changes between shots. (00:11:40)

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Devil's Trifecta - S10-E9

Continuity mistake: When we see the pool balls on the table for the 1st time, their position changes drastically between shots. (00:03:20)

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Devil's Trifecta - S10-E9

Continuity mistake: The cracks in the windshield of Fornell's car change from the overhead to the ground level camera shots. This is before Fornell returns fire. (00:01:00)

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Gone - S10-E8

Continuity mistake: At the end, Rosie has her hands taped behind her back as she is running up to her parents. When she gets to her parents, her arms are no longer taped behind her back. (00:36:20)

Ssiscool ★

A Sneeze, Detention, and Sissy Spacek - S1-E13

Continuity mistake: When the principal gets the paddle out of the drawer, he holds it in two hands. But as he goes to sit down, he is only holding it in one hand. (00:02:30)

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Gone - S10-E8

Continuity mistake: When Tony is dancing and singing at the start, his position is constantly changing between all the consecutive shots. (00:03:20)

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Shell Shock Part II - S10-E7

Continuity mistake: Ziva tells Tony to stop being nice to her when doing the stakeout. When she does, in one shot her arm is on the car window, in the next shot it's not, then it's back again. (00:29:20)

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Shell Shock Part II - S10-E7

Continuity mistake: At the very start, the way the soldier is holding up the car changes between shots. In some shots, he is holding bottom left, in others, he is holding bottom right. (00:01:10)

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Shell Shock: Part I - S10-E6

Continuity mistake: Gibbs places a stack of photos down on the picture of the captain when speaking to him. When the shot changes, the stack of photos has moved off the photo of the captain. (00:07:00)

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Shell Shock: Part I - S10-E6

Continuity mistake: When DiNozzo is talking about the pictures on the film, he has the film in his hand. But as McGee speaks, Tony has his hand held out and open. (00:02:50)

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Shell Shock: Part I - S10-E6

Continuity mistake: At the start, DiNozzo is holding up his 1974 camera. When the shot changes, the way it's held changes. Take note of his finger in relation to the lens of the camera. (00:02:30)

Ssiscool ★

Summer Sausage, a Pocket Poncho, and Tony Danza - S1-E21

Continuity mistake: When Missy tries the Lobster for the 1st time, the way she holds her fork keeps changing between shots. (00:16:50)

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Summer Sausage, a Pocket Poncho, and Tony Danza - S1-E21

Continuity mistake: When George Sr. is cracking the claw of the lobster, he goes from holding the cracker to holding a fork instantly. (00:16:38)

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Gluons, Guacamole, and the Color Purple - S1-E19

Continuity mistake: When Sheldon startles Connie in bed, Connie has her hands up by her head. Shot changes and her hand is now across her chest. (00:15:20)

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A Mother, a Child, and a Blue Man's Backside - S1-E18

Continuity mistake: When Sheldon is shown the M.I.T leaflet, the way it's displayed to him changes between shots. (00:09:20)

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A Mother, a Child, and a Blue Man's Backside - S1-E18

Continuity mistake: When the guidance councillor holds up the leaflet for Caltec, where she holds it changes between front and rear camera angles. Note the distance from the top of the leaflet. (00:09:10)

Ssiscool ★

Jiu-Jitsu, Bubble Wrap, and Yoo-Hoo - S1-E17

Continuity mistake: When Sheldon is wrapping bubble wrap around his torso, it goes from neat to messy between long and close shots. (00:04:50)

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