Continuity mistake: When Mildred and her son pull up in the station wagon, there is a drink thrown at the car that hits the windshield. She gets out and confronts them, and then walks back to her car, with no evidence of anything having hit the windshield. It would be running down the glass and was a pretty thick substance. (00:59:00)
Three Billboards Outside Ebbing, Missouri (2017)
Directed by: Martin McDonagh
Starring: Woody Harrelson, Peter Dinklage, Abbie Cornish, Samara Weaving
Factual error: Missouri has no hills or mountains like those shown in this film; the closest would be the Ozarks in the southern part of the state, which are more rounded.
Other mistake: Anne makes the Oscar Wilde joke right before Bill kills himself, but he mentions it in the suicide note, which he obviously wrote long before.
Suggested correction: He wrote 2 letters, a longer one in the dresser drawer that he had spent time writing, and one that he wrote immediately before going to kill himself, explaining what he had done. The shorter one (referencing the Oscar Wilde joke) was written that evening while his wife was asleep on the couch.
Suggested correction: What evidence is there that he didn't write the suicide not that day?
It doesn't matter if he did, the point is he definitely wrote it before the Oscar Wilde joke. Right after the joke, he goes to the barn and kills himself. Anne is still on the couch, she hears the gunshot, she gets up and finds the note.
Anne is on the couch, then it cuts to him in the barn. He could have easily written his note between the two shots.
Trivia: Sam Rockwell did ride-alongs with a Los Angeles police officer to prepare for his role. He also shadowed a police officer in Missouri, on whom he based his accent and some of his dialogue, as director Martin McDonagh didn't want Rockwell to use a strong Ozark accent.
Mildred Hayes: Hey fuckhead!
Dixon: What?
Desk Sergeant: Don't say what, Dixon, when she comes in calling you a "fuckhead."
Mildred Hayes: I don't care if you never did shit or you never saw shit or you never heard shit. You joined the gang. You're culpable. And when a person is culpable to altar-boy-fucking, or any kinda boy-fucking, I know you guys didn't really narrow that down, then they kinda forfeit the right to come into my house and say anything about me, or my life, or my daughter, or my billboards. So, why don't you just finish your tea there, Father, and get the fuck outta my kitchen.
Mildred Hayes: This didn't put an end to shit, you fucking retard; this is just the fucking start. Why don't you put that on your Good Morning Missouri fucking wake up broadcast, bitch?
Question: Why would they make Anne Australian? Her nationality isn't even mentioned, so why would they let Abbie Cornish use her natural accent? What purpose does it serve? It seems like an incredibly random choice. Abbie Cornish has used an American accent in most of her roles, so of all the ones to use her natural accent, why would she use it in the one where it makes the least sense? Why would an Australian go to a small Ozarks Missouri town? I assume she stayed there because she met Bill and fell in love with him, but why would she have gone there in the first place, before she met Bill?
Answer: Since the movie doesn't tell us how she and Bill met, any answer about how and why she was there would be mere speculation. Letting an actress speak in her native accent is not exactly "random"; random would be if she was an American and the writer/director decided to make her character Australian. However, the situation of an Australian marrying someone from, and then living in, a small Missouri town is not as outlandish or nonsensical as one might think; I used to date someone from a tiny town in Kansas, whose mother was an upper-class British woman who happened to meet and marry someone from that town.
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