The Shining

Continuity mistake: While breaking down the bathroom door with the axe, Jack repeatedly strikes and damages the right hand panel, but as he turns away from the door (when he hears the snow-cat) both left and right panels have been damaged.

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The Shining mistake picture

Revealing mistake: In the first scene, when Nicholson is driving to the Overlook, the shadow of a helicopter can be seen at the bottom right. This is only visible in the un-matted VHS print and fullscreen DVD.

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The Shining mistake picture

Continuity mistake: At the beginning when Danny is talking to his Mom and eating a sandwich, the sandwich gets about 5 bites smaller in a split second.

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Trivia: Stephen King has admitted not liking this version of his book.

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troy fox

Trivia: Initially, the bathroom door Jack Nicholson was to axe in was an extremely thin one, made by the prop department to make it easier to destroy. However, Nicholson's technique with the axe was so good (he'd been a volunteer fire marshal) the door shattered into a million pieces, so they had to build a much stronger door to handle his swing.

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Trivia: The famous scene where Wendy reads through Jack's accumulated work naturally doesn't have the same impact if the viewer can't read English. Therefore, for every foreign language the film was released in, Kubrick remade this shot with an appropriate cliche in each language - French, German, etc. Also, every page of every manuscript was hand-typed to recreate the realism of typos and misalignments.

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Jack: Wendy, darling, light of my life, I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya, I'm just gonna bash your brains in. Gonna bash 'em right the f*ck in!

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Jack Torrance: Wendy, let me explain something to you. Whenever you come in here and interrupt me, you're breaking my concentration. You're distracting me. And it will then take me time to get back to where I was. You understand?
Wendy Torrance: Yeah.
Jack Torrance: Now, we're going to make a new rule. When you come in here and you hear me typing [types], or whether you DON'T hear me typing, or whatever the FUCK you hear me doing, when I'm in here, it means that I am working. THAT means don't come in. Now, do you think you can handle that?
Wendy Torrance: Yeah.
Jack Torrance: Good. Now why don't you start right now and get the fuck out of here?

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Grady Twins: Come play with us Danny. For ever and ever and ever.

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Question: Does Danny's ability to "shine" have any connection to Jack's insanity and the events that occur in the hotel?

Chosen answer: Effectively, Danny's shining is what brings the hotel to life. Because he has such an incredibly powerful shine about him, all these weird ghost things in the hotel are able to materialize and reveal themselves. These weird ghost things are always present to some degree, and those people with a small degree of shine get glimpses of them - like Dick Hallorann. (It's not quite made clear in the movie, but Dick saw the woman in room 237 in the book). However, Danny's shine is so great that he gives these forces enough life to appear to those without any shine, people like his father and mother. As it's the hotel that's slowly driving Jack crazy, and the hotel gets its power from Danny's shining, then I'd say there's definitely a connection between Jack's insanity and Danny's abilities. In the movie, it's not as clear as it is in the book, but Jack is effectively possessed by the hotel. He's not a flawed drunk with an anger problem who loses his mind because of isolation. He's a flawed drunk with an anger problem who's doing the best he can, until the forces of the hotel get inside his head and make him lose it.

If Danny's shining is what brings the hotel back to life, does this mean that all the previous "Jacks" had a son or daughter with the shining too?

Answer: The movie is really 2 parallel story-lines with history repeating itself. In 1920s Jack visited the same hotel with his wife and son, they got stuck there due to snow storm along with rest of hotel crew (which leaves early in a hurry in 1980s). The director has carefully changed background score on things which were not present in 1920s when Dick is showing the facilities to Danny and his mother (like food cold storage). In the 80's version, Danny, Jack and Dick are the ones who have the power to shine or see scenes from the past in the same place. But as Dick says, its like reading a book and has no physical presence in current world. Whenever Dick is talking to Danny, it happened exactly the same way in 1920s, except replace the secret of shining with the secret of cannibalism around the hotel. Jack's insanity is just a repeat of his past, in the 20's the job of being the butcher (of human flesh) got to his mind and he started behaving weird. In the hotel lobby, replace the sound of heavy typing on the long table with sharp knife falling on human flesh. Red carpet depicts the blood and body parts all around the floor in 20s.

Question: Who were all the skeletons that the Mother sees toward the end of the film? It's never explained. Also, what room was that?

Chosen answer: It was The Gold Room. The skeletons are simply those of past guests: we never learn their identities.

Question: According to many websites including IMDB, it says Staney Kubrick demanded about 128 takes of Shelley DuVall saying a line. Does anybody know this scene and specific line?

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Chosen answer: The scene was from when she discovers all his papers just say "All work and no play..." to when she bonks him on the head. That was one continuous scene, with no cuts, and Mr. Kubrick wanted it perfect.

SexyIrishLeprechaun

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