The Shining

The Shining (1980)

4 suggested corrections

(19 votes)

Trivia: Kubrick tortured Shelly Duvall to get the performance he wanted out of her. He told the crew to have no sympathy for her, and pushed her to do many retakes until she would cry. The scene where she walked backwards on the stairs with the baseball bat was filmed up to 127 times by some counts. At the end of filming she presented Kubrick with clumps of her hair that had fallen out due to stress.

Jennyred

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Suggested correction: The number of "127 takes" is an urban legend created, according to Lee Unrich, by someone who worked on the movie, but who wasn't here during the shooting of the scene. Plus, according to Gordon Stainforth (the editor of the movie) on IMDb, the scene was "only" shot 35-45 times. I also want to say that the "fact" that Kubrick may have tortured Shelley Duvall is also a legend. Duvall herself said, in 2021, for the magazine "Hollywood Reporter", that Kubrick was also warm with her.

Continuity mistake: When Hallorann is showing Wendy & Danny around after they first arrive at the hotel, they walk through the kitchen towards the camera & into the freezer door to the left of the screen. You can see the kitchen still visible in the background. When they leave the freezer (after Hallorann calls Danny "Doc"), the background is completely different & the kitchen is not visible. This is because they have actually filmed a different door on the opposite side of the corridor. They then walk towards camera again & back into the kitchen they have just walked through.

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Suggested correction: This sort of discontinuity is deliberate. The layout of the Overlook is intended to make no sense.

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Continuity mistake: As Danny is writing 'redrum' on the bathroom door, the lampshade on the nightstand light is askew. A moment later, when Jack is knocking down the door with the axe, the lampshade has somehow straightened itself out. (01:32:40)

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Suggested correction: This along with other subtle movements and the microscopic misplacement of everything inside the Overlook is meant to snap back to its former or appear "off" for no reason other than it gives the viewer an uncomfortable and uneasy feeling.

Other mistake: When Stuart Ullman is showing Jack and Wendy their quarters, there is a window on the wall to the right across from the bed. However later, when Jack tries to break into the bathroom with the axe and Wendy puts Danny through the window onto the hill of snow, their quarters is not on a corner of the hotel, which the aforementioned window would suggest. (00:22:45)

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Suggested correction: Stanley Kubrick intentionally did this, to get the audience to feel like something has been off the entire movie. Like in the interview scene, there should be a hallway where the window is but there's not. And the hotel is constantly changing itself as it is sentient.

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Continuity mistake: At the beginning when Danny is talking to his Mom and eating a sandwich, the sandwich gets about 5 bites smaller in a split second. (00:04:45)

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Jack: Wendy, darling, light of my life, I'm not gonna hurt ya. You didn't let me finish my sentence. I said, I'm not gonna hurt ya, I'm just gonna bash your brains in. Gonna bash 'em right the f*ck in!

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Trivia: Stanley Kubrick was very protective of Danny Lloyd, because he was so young. Through some careful and clever directing, Lloyd was unaware he was making a horror film until after the film's release.

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Question: Does Danny's ability to "shine" have any connection to Jack's insanity and the events that occur in the hotel?

Answer: Effectively, Danny's shining is what brings the hotel to life. Because he has such an incredibly powerful shine about him, all these weird ghost things in the hotel are able to materialize and reveal themselves. These weird ghost things are always present to some degree, and those people with a small degree of shine get glimpses of them - like Dick Hallorann. (It's not quite made clear in the movie, but Dick saw the woman in room 237 in the book). However, Danny's shine is so great that he gives these forces enough life to appear to those without any shine, people like his father and mother. As it's the hotel that's slowly driving Jack crazy, and the hotel gets its power from Danny's shining, then I'd say there's definitely a connection between Jack's insanity and Danny's abilities. In the movie, it's not as clear as it is in the book, but Jack is effectively possessed by the hotel. He's not a flawed drunk with an anger problem who loses his mind because of isolation. He's a flawed drunk with an anger problem who's doing the best he can, until the forces of the hotel get inside his head and make him lose it.

If Danny's shining is what brings the hotel back to life, does this mean that all the previous "Jacks" had a son or daughter with the shining too?

Answer: The movie is really 2 parallel story-lines with history repeating itself. In 1920s Jack visited the same hotel with his wife and son, they got stuck there due to snow storm along with rest of hotel crew (which leaves early in a hurry in 1980s). The director has carefully changed background score on things which were not present in 1920s when Dick is showing the facilities to Danny and his mother (like food cold storage). In the 80's version, Danny, Jack and Dick are the ones who have the power to shine or see scenes from the past in the same place. But as Dick says, its like reading a book and has no physical presence in current world. Whenever Dick is talking to Danny, it happened exactly the same way in 1920s, except replace the secret of shining with the secret of cannibalism around the hotel. Jack's insanity is just a repeat of his past, in the 20's the job of being the butcher (of human flesh) got to his mind and he started behaving weird. In the hotel lobby, replace the sound of heavy typing on the long table with sharp knife falling on human flesh. Red carpet depicts the blood and body parts all around the floor in 20s.

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