Continuity mistake: Right after JoBeth Williams and Craig T Nelson joke with Dr. Lesh about not showing the tapes of their haunting on "60 Minutes" or "That's Incredible", JoBeth walks to the table with Dr. Lesh's flask in her hand. As she walks from the sink, there's a silver cap on it. When she gets to the table, the cap is gone. She couldn't have removed it out of sight, she had a coffee cup in her other hand.Ingabritzen
Continuity mistake: The piece of licorice that Carol Anne puts into the cigar box with the dead parakeet "for when he's hungry" appears to be close to 6 inches long when she's placing it in the box but no more than a couple of inches long when it's shown in the box a few moments later. (00:10:10)Jeff Swanson
Continuity mistake: Just before the house starts to implode, Teague is backing away from it and as he does so, he passes a couple of white garbage bags on the sidewalk and backs into the street. In the next shot, taken from across the street showing bystanders being blown backwards, Teague is visible in the background; he's back on the sidewalk tripping backwards over the same bags he safely passed moments before. (01:48:10)Jeff Swanson
Continuity mistake: Toward the end, when Diane and the kids are trying to escape, they start into the kitchen only to see 2 coffins come up through the floor. The initial shot shows the coffins quickly shooting up to almost the same height and then stopping, but in the next shot, in which the coffin on the right opens, the one on the left is a couple of feet lower and is still slowly rising.Jeff Swanson
Continuity mistake: As the Freeling family is escaping through the side of their house, you will notice that Diane is holding a doll that looks like Carol Anne.
Revealing mistake: When the chair moves across the kitchen floor, Craig T. Nelson goes to investigate it (after it has stopped moving). He goes up to the chair and flips it over. If you look closely, Craig almost hits the camera with the chair's legs. You can tell this has happened because the camera moves up very quickly and Craig looks straight at the camera crew with very big guilty eyes. This is more easily visible on the widescreen version of the film. (00:33:30)
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