Continuity mistake: At the start of the film, the dog is seen going from room to room looking for food. Just before he goes into Dana's room, someone can be seen through the crack in the door, moving from left to right.
Revealing mistake: When the chair moves across the kitchen floor, Craig T. Nelson goes to investigate it (after it has stopped moving). He goes up to the chair and flips it over. If you look closely, Craig almost hits the camera with the chair's legs. You can tell this has happened because the camera moves up very quickly and Craig looks straight at the camera crew with very big guilty eyes. This is more easily visible on the widescreen version of the film. (00:33:30)
Continuity mistake: When Carol Anne is being sucked into the closet vortex she clearly lets go of the white wicker headboard of her bed. In the next shot, the child (actually a dummy or a stunt double) is seen sailing into the closet, grasping a sizeable section of the now broken headboard.
Trivia: While filming the toy clown attacking Robbie, the clown's arms were wrapped tightly around Oliver's neck. He immediately said he couldn't breathe but Steven Spielberg and Tobe Hooper both thought that he was ad-libbing. When Spielberg saw Oliver's face turning purple, he realised that he really was being asphyxiated and ran over to remove the arms from his neck.
Trivia: In the swimming pool scene with the mother near the end, the actress didn't know it, but those weren't fake skeletons.
Trivia: The scene where the ghosts stacked the chairs on the kitchen table was filmed in one take with no cuts. As the camera followed Diane Freeling to the kitchen sink, the crew members rushed to the table, put an already built pyramid of chairs on the table and then took away the individual chairs.
Carol Anne Freeling: They're here.
Question: What exactly is the red slime on the body of Carol Anne and her mother after they are rescued from the another dimension?
Question: Why was only the Freelings' house sucked into the vortex? Since it was discovered that the developer only moved the headstones but left the bodies, shouldn't other houses that were also built over the cemetery have also been dragged in?
Question: What exactly did the ghosts want with Carol Anne?
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