Other mistake: Gregory Peck and David Warner are attacked in the cemetery by four large vicious dogs, who attack their throats, arms and legs, but once they escape, the only wound seen is the one on Gregory Peck who hurt his arm while climbing over the fence.
The Omen (1976)
1 other mistake
Directed by: Richard Donner
Starring: Billie Whitelaw, David Warner, Gregory Peck, Harvey Stephens, Lee Remick
Audio problem: Near the end of the movie, when the Ambassador is dragging the child up the aisle of the church, in several spots you hear the child scream but his mouth isn't open. (01:45:35)
Father Brennan: When the Jews return to Zion / And a comet rips the sky / And the Holy Roman Empire rises, / Then You and I must die. / From the eternal sea he rises, / Creating armies on either shore, / Turning man against his brother / 'Til man exists no more.
Trivia: Richard Donner was originally wary of sending the script to Gregory Peck. Combined with the original ending, in which Robert kills Damien, and the fact that Peck's son had recently committed suicide, Donner thought offering the film to him was distasteful. But to Donner's surprise, Peck agreed relatively quickly to do the film.
Question: Something that puzzles me about the thee Omen films taken together. In the first film of the series the very young Damien is taken into a church. As the son of the Devil he has a great aversion to all things Christian, so he has a huge tantrum, and screams, struggles and resists going into the building. So how is it, that, as the series progresses, he can enter Christian buildings without any ill effects? (The denouement of the third and final Omen film is set in Fountains Abbey, a venerated Christian church in Yorkshire).
Answer: There's no clear-cut answer. The first film was intended as a stand-alone movie. When the later sequels were made, the plot details were changed or otherwise adapted to fit a new story line.
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Answer: It may be similar to myths around vampires. In many variations, their fear of crucifixes is purely psychological. As a child, Damian may have feared the symbolism of the church, but as he grew he realised it had no actual power over him.