Jaws

Visible crew/equipment: While Quint tells of his experience with the U.S.S. Indianapolis, in the close-ups of Brody a crew member's arm with a watch is clearly visible moving in the reflection on the window, just behind Brody, particularly when Quint says, "Anyway, we delivered the bomb." (01:32:55)

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Visible crew/equipment: As Hooper says the shark is "back for his noon feeding", you can see the camera and lighting reflected on Brody's glasses.

Visible crew/equipment: When Quint is doing his speech at the town meeting the camera slowly moves towards him. When the camera passes the man in the grey suit you can see a moving shadow near Quint. Everyone in the room is stationary in this scene apart from the cameraman and film crew.

Revealing mistake: When the shark bursts through the window of the cabin, in each of the shots facing Brody, including when he shoves the air tank into the shark's mouth, the glistening water is visible in the window's reflection behind Brody. The shark's reflection is never seen behind Brody, despite the shark's massive size in the small cabin. Bruce must have had the day off during Roy Scheider's takes. (01:58:00)

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More mistakes in Jaws

Quint: Hooper! Stop playing with yourself Hooper!

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Trivia: Quint's boat is named Orca. The orca is the only natural predator the great white shark has (besides humans).

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Question: In one of the Orca scenes, when Quint shot a line and barrel into Jaws from the rear of the boat, the barrel then had to travel over the boat and almost hit Brody in the head. If you look closely, you can see his glasses getting ripped off by the barrel. Was this staged or an actual near-miss, just inches from his head?

Answer: We cut from Hooper fighting to untie the cleat, to the shot of the barrel launching past Brody's head. At the start, the camera has Brody in profile. In stop motion, you can briefly see that he's wearing the arms of his glasses on the (outside) of his ears - so they're not hooked to his face. He looks over his right shoulder (toward the approaching barrel) then whips his head left, toward the camera, and slings off his glasses, for a great effect.

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