Corrected entry: Pinhead is able to return to earth in the form of a statue. This is supposed to be the same statue as the one that rose up out of the mattress at he very end of the second Hellraiser, but that statue was made of wood, and was covered with living images of Hell, while the statue in this film is about four feet taller, and now made of solid stone or marble.
Corrected entry: There is a church scene. The church that scene was filmed in wouldn't allow them to film the movie, so the crew had to break into the church late at night.
Corrected entry: The boy at the beginning steals the box and end up in hospital covered in chains where he dies; yet the box is encased entirely in bronze and would be entirely unworkable as the main gold circle on the box couldn't turn underneath the bronze coating, whether the box 'wanted' it to or not.
Corrected entry: Pinhead makes the silver cross melt in the priest's hand, and the priests hand then becomes a bloody stump. But in following shots the priests hand is very much intact.
Corrected entry: Terri claims that the boy who died at the beginning of the movie had stolen the box; yet the box was attached to a statue that, by its colouring, was obviously bronze or possibly copper. The boy could not have gotten a chunk of bronze/copper from a statue in a constantly busy club without being noticed; it would have taken a very long time for one kid to chisel the box out.
Corrected entry: When JP buys the statue at the beginning, Pinhead's face is at the top. In another scene, he has flipped to the bottom. Then, a few scenes later and for the rest of the time, he is the correct way up again.
Corrected entry: The new Cenobites made from Joey's friends can remember exactly who they were, and even conversations that they've had before the transformation, yet at the end of the second Hellraiser, Pinhead doesn't remember who he is until Kirsty hands him a picture of his former self, and gives the Cenobites a lecture.
Trivia: When Joey's television set is flipping through the channels all by itself, on one of the channels is an interview with Tony Hickox, the director of the film.
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