Gone in 60 Seconds

Continuity mistake: When Cage's character offers the money for his brother and the brother is in the car about to get crushed, the back window gets broken out twice. (00:15:55)

Gone in 60 Seconds mistake picture

Revealing mistake: When Memphis delivers Elanore to Calitri, he gets punched and falls to the ground. At his feet you see orange tape as stage markings. (01:38:15)

Ronnie Bischof

Gone in 60 Seconds mistake picture

Continuity mistake: During the first chat between Nicolas Cage and Angelina Jolie (she's under the car) there are a number of wrenches or tools that can be clearly seen by Jolie's character when she is on the ground. Every time the camera cuts from Jolie to Cage, then back on to Jolie, the tools are always in a different position or place than they were a second ago. First, they are together, then they are far apart, then they are in a different direction, and so on. (00:28:32)

Continuity mistake: When the young kids go to steal the SUV at the party a security car chases them, with another blocking the road ahead. The shot of them racing towards the roadblock is obviously all one sequence, because their windscreen already has two bullet holes in it as it approaches the security car, long before the guard actually shoots at them. (01:25:15)

Other mistake: When Memphis and Kip are hiding from Johnny B and his crew in the cafe following the ambush, Memphis devises a plan to make good an escape. He sends Kip out to use the tow cable on the heavy tow rig to destroy Johnny B's Mercedes. First angle shows a cable wrapped around a rear A-arm of the vehicle and the hook connected to the cable, the next shows a hook directly attached to the front axle, which is the one that gets torn from the Mercedes when the tow rig pulls away. Additionally, a different cabling rig and loose cabling used in the stunt are strewn behind the car. So even if Kip somehow made 2 connections without being seen or heard, the rear rig is different than the one shown in the first shot. (00:51:00 - 00:53:00)

Gone in 60 Seconds mistake picture

Visible crew/equipment: When Memphis (Nicolas Cage) is speeding up to take the final jump on the bridge, you can see the camera crew on the other side of the road filming, if you look closely you can make out the shading devices used exclusively to block out the sun from the camera. Look to the left of the jump just before he hits it. (01:39:30)

Continuity mistake: The Jaguar XJ220 is dropped off at the docks twice, when there is only one on the list. When the car is originally marked off the list, it's referred to as Stacy (This is actually the point when a different Jaguar is stolen). Later on when Sway drops off the XJ220 at the docks, she refers to it as Nadine. (01:03:25 - 01:20:55)

Gone in 60 Seconds mistake picture

Continuity mistake: When Memphis is leaving the restaurant where his mom works, after he has talked to her, we see that there are glass windows on either side of the door as he exits. When the angle changes to show the detectives, there is suddenly a brick wall next to him and a little drug store. Where did the restaurant go? (00:20:56)

Gone in 60 Seconds mistake picture

Visible crew/equipment: In the "Director's Cut" version, when Memphis makes the impossible jump over the accident on the bridge, you can see the fixed camera inside the car when it first hits the bridge deck, but it mysteriously disappears after that. (01:49:05)

Gone in 60 Seconds mistake picture

Continuity mistake: Memphis skids when seeing the road accident, and it is at a noticeable angle. The camera cuts to the police arriving, then back. And the Shelby GT 500 is now straight for the line up to the stunt that follows. (01:44:10)

Ssiscool

Factual error: When, the LAPD "Air One" helicopter contacts Long Beach Tower for permission to proceed over the airfield in pursuit of Eleanor, he is denied clearance. I am a pilot myself. Whether or not they were the LAPD, they had already violated Class "C" airspace in their pursuit. Any inbound aircraft, fixed wing or rotor, must contact approach within a three to five mile radius of the airfield. This chopper is less than half a mile from the active runway when it asks for clearance. Even if it was a national security issue, only the Secret Service could override ATC. (01:38:00)

akid4evr

Factual error: Right at the end, Memphis escapes by jumping via a flatbed towtruck. The ramp is put down on those to tow away a vehicle so it should be backed right up to a vehicle to lift it on. That begs the question of why the ramp was down with no vehicles anywhere near it. The maximum distance that any driver would want to maneuver with the ramp down would be a couple of feet straight back.

Gone in 60 Seconds mistake picture

Continuity mistake: After Colitri shoots the valve which burns Castlebecks hand, he drops his gun. It can be seen sliding towards the edge Colitri gets pushed over. After Colitri is pushed over, Memphis and Castlebeck stare at each other and Castlebeck retrieves his weapon, it is now only inches from the boiler, not the edge. (01:51:25)

Gone in 60 Seconds mistake picture

Continuity mistake: When the Firebird is getting crushed the rear center cap is there and gone alternately. The dirt on the driver's door is also different, showing that two identical Firebirds were crushed. (00:16:50)

Ian Hunt

Gone in 60 Seconds mistake picture

Continuity mistake: When Donnie and Fred are stealing the jaguar from a parking garage the window is over half-way rolled up on the way out (it's moving in the wide shot, but has definitely stopped half-way in closeup). When the other guy comes and puts the gun in Donnie's face, the window is all the way down (otherwise he couldn't get the gun in). When Donnie opens the door, it's half-way up again. (01:02:00)

Gone in 60 Seconds mistake picture

Continuity mistake: In the scene where Kip is making breakfast for Memphis, the toast pops and clearly it is burned, when Kip puts it on the plate, it magically becomes nicely toasted instead of burned. (00:17:51)

Gone in 60 Seconds mistake picture

Continuity mistake: When Memphis is driving Eleanor he backs up and hits the right rear-view mirror. He stops, leans out the window and sees that it is dangling. The very next shot it is back to normal and it stays that way for most of the rest of the movie. (01:34:34)

Continuity mistake: You can clearly read many of the makes/names of the cars to be stolen on the blackboard in Otto's garage, yet when they radio in the cars as they are boosted they refer to them by different names, even as Otto crosses off the cars with the correct names back at the garage. Example: #13 '67 Chevy Corvette Stingray - Stacey on blackboard - is called Lindsey when boosted, and #23 '56 Ford T-Bird - Susan - is called Sharon. (01:02:56)

Gone in 60 Seconds mistake picture

Continuity mistake: When Sphinx blows up the black gang member's car, within the space of a split-second, he is very far away from the explosion. He lights the rag, the car blows up, and then miraculously, he is 20-30 metres away instantly. (00:34:30)

Continuity mistake: When Memphis and the gang are stealing the Ferraris and driving them back, he tells Otto "Diana, Tricia, Nadine, and Rose are on their way." There's just one slight problem - there is no Ferrari named Tricia on the list, as you can see when Otto crosses them off. (01:06:30)

Tumbler: Yo, so check out my new move. I call it "the Stranger." What I do is, I sit on my hand for, like, 15, 20 minutes, until it goes numb. No feeling at all. And then I rub one out.
Toby: "The Stranger," huh?
Atley Jackson: It's like a little boy's nursery school I've come upon here.

More quotes from Gone in 60 Seconds

Trivia: When Mirror Man is falsely attempting to get is impounded Volvo back at the impound lot, you can see a garage sign behind him that reads "GONE in 60 seconds."

More trivia for Gone in 60 Seconds

Question: Can someone please explain the theory behind Tumbler's "Stranger" move? It's been bugging what he means by it.

Answer: He sits on his hand until it goes numb, and then masturbates. "Stranger" refers to the fact that it feels like someone else is doing the work for you.

Nick N.

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