Munich

Continuity mistake: When the terrorist is exiting to the balcony, there is the live shot for the viewing audience, and a shot from the television. However, for a moment, it appears that in the TV shot, the man has moved ahead of the live audience shot. Which is not possible. (00:04:51)

Continuity mistake: In Paris, when they call Mahmoud's number the first time, the first digit dialed is a 4. The second time, they begin with a 7. (00:50:15)

Continuity mistake: In the scene where Avner shoots the first Palestinian, the dead man falls forward onto his groceries, but the next time the body is seen, he is lying on his back.

Continuity mistake: When Ephraim and Avner are walking along the boardwalk in sunny weather and Ephraim is proposing the "job offer", in the side shot they walk past two pedestrians, one of whom is leaning on the railing. In the next shot facing them, as they are still walking forward (now towards viewers), they are walking past the same couple again.

Continuity mistake: Near the end when Avner and Steve are attempting to assassinate Salameh, they shoot a man while he is standing easily 20 feet away from the pool, the next shot is of him falling in the pool.

Continuity mistake: When a man is shot, and falls onto the bed, in one shot there's no blood on the bed, but in the very next shot there is.

MikeH

Continuity mistake: In the scene where Avner shoots the first Palestinian, the dead man falls forward onto his groceries, but the next time the body is seen, he is lying on his back.

More mistakes in Munich

Steve: Don't fuck with the Jews.

More quotes from Munich

Trivia: In this film, the word 'Sabra' is used a few times. Sabra means a Jewish person who was actually born in Israel, and not one born in another country who then later moved to the Holy Land.

Allister Cooper, 2011

More trivia for Munich

Question: Is this the last movie to be shot, edited and finished on film?

Answer: It's a bit difficult to find out this sort of information as not all films released disclose what they use to edit on. Michael Kahn is perhaps the most famous editor around to edit on flatbed machines and switched to digital editing for time constraints. Many film schools still teach and use flatbed editing so you may still see short films edited on film, just not feature length movies for a variety of reasons.

Lummie

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