Trivia: Mel Gibson filmed the scene where Pilate is offering to release either Barabbas or Jesus and Pilate says "why do you want to crucify Jesus, he has done nothing wrong" (paraphrased) and the people shout, "Give us Barabbas, let His (Jesus) blood be on our children" which is taken directly from the gospel of Matthew; however, Gibson deleted the subtitle for the line because he felt it would fuel anti-Semitism.
Add timeJeanne Perrotta
Trivia: In that grisly scene where Jesus is being flogged, Jim Caviezel stated that he was actually struck twice. The first time knocked the wind out of him, and left a 14 inch scar on his back. The second time hurt so badly that is caused him to wrench his hand from the shackle, scraping his wrist. What with also getting struck by lightning in a different scene, he wasn't exactly undertested for the role.
Trivia: Until October 2003, the film was originally called "The Passion" until Mel Gibson found that Miramax owns the rights to that name (from a romantic fantasy book), so he decided to add "of Christ" to it. Then a month latter, Gibson added an additional "the" between "of" and "Christ" which makes it "The Passion of the Christ," the title which was released in theaters.
Trivia: Is currently the fastest major theatrical film to earn back its production and marketing costs ($55 million in three days). It is also the fastest film to earn a profit (grossing over the $110 million threshold within five days), since a film needs to earn twice the production and marketing costs to make a profit.
Trivia: Not only is the film the highest-grossing R-rated film of all time in North America, it was the first to pass the $300 million mark on March 24, 2004. However, it is only second ($609 million) to 2003's "The Matrix Reloaded" ($739 million) as the highest-grossing R-rated film worldwide.
Trivia: Director/producer Mel Gibson wanted the film to look like the paintings from the Italian baroque painter Michelangelo Merisi da Caravaggio (1573-1610). The artist is known for works marked by intense realism and revolutionary use of light. His best work is the "Deposition of Christ" (1604).